This was a very interesting episode for its big reveals and for its use of using Yaomay to advance the plot.
At the start of this episode, Gwen rehashes much of what he had said in the previous episode again since Yaomay refused to believe his words that to certain people Reiko doesn’t exist and that she can’t exist outside of Kowloon. He notes that people he knows for a fact are living elsewhere have second versions in Kowloon and that the second versions of them disappear when the original enters Kowloon, leading him to come to the conclusion that the original and a second version cannot coexist at the same time although based on my theory about this illusory Kowloon being a construct of Kudo’s mind, I don’t believe that this is actually the case given what we see with the male confirmed to be Xiaohei in this episode, which I’ll get into later. Gwen also told in this same scene that Kudo cares for her although he’s not sure whether it’s the same as what he felt for Kujirai B.
Then there’s back-and-forth scenes between Kudo and Reiko and Gwen alone that touch upon how when you can physically touch something that shouldn’t exist the feeling of creepiness you should get eventually numbs, leading to you developing an attachment to it, which is him referring to both himself and others, in particular, Kudo, getting attached to Reiko, who is enjoying lunch with Kudo and notes to herself that the broth is tasty since she had just learned today that she’s an anomalous existence in the world who most people can’t see, which triggered feelings of insecurity. I happen to feel the same way. If I could physically feel someone who shouldn’t, and it wasn’t me hallucinating things due to schizophrenia, I would probably get attached in time too even if most others could never interact with that person.
We then get another flashback to when Kujirai B was alive, and she apparently had amazing luck even without Kudo around with her always winning at mahjong. Kudo found out at the time that she was taking pills for insomnia after a prescription slipped from her arm and that she had been doing so for a very long time, taking them after Kudo fell asleep whenever he spent the night over. Kudo then said he’ll show her a great time every night so that she can fall asleep even without pills, and when she indicated that she’s already enjoying herself on her own, he said that he’ll make things even better, which led to her making another point about her strong luck, which may have been her attempt to keep her distance from Kudo since she had been considering suicide due to the news about Kowloon getting demolished soon. She may have been considering sparing Kudo from extra grief.
By subtly hinting that she doesn’t need him to have a good time, she perhaps hoped Kudo would back away from her so that he wouldn’t be crushed after she died. As we know from previous episodes, Kujirai B said that she shouldn’t wish for anything more due to how good life is for her now, and it shows she had completely attached herself to living in Kowloon and was very vulnerable to a stressor like Kowloon being demolished. That’s why she said her story would neither continue nor end in Episode 6, ’cause she had intended to kill herself as I had speculated with Episode 6.
Then we get a scene with Miyuki and Papa Hebinuma, and when Miyuki suggests that Papa Hebinuma go out for a walk since it’s a nice day out, he replies, “Close the curtains, Haoran.” before Miyuki replies that he is Miyuki, and his father just says that that’s what he said. We then get a shot of the painting with Papa Hebinuma’s young son who had died, and that’s certainly who Haoran is. Miyuki then gets a call from Yulong, who reveals that Kujirai B died of an overdose, and Miyuki says that she wouldn’t have died from the pills Dr. Wong prescribed unless she took tens of thousands of them, but he can understand why Dr. Wong felt responsible nonetheless. Yulong then notes that all records of the pill that caused Kujirai B’s death was erased, and that’s when Miyuki said that he has a strange connection to Kujirai B since he believes the pill was made by the Hebinuma Group. Yulong then revealed that Papa Hebinuma had made Miyuki’s first job the successful demolition of the Second Kowloon Walled City, which had been done to erase all records of Miyuki’s birth and “you-know-what”, whatever that is.
We then see the male who resembles Xiaohei plug a machine into the computer interface that Yulong uses for his investigations and found absolutely no data ’cause Yulong doesn’t leave any traces of what he does. He then enters Kowloon and spies on the young girl Xiaohei before taking off his helmet ’cause of how hot it is in this version of Kowloon. He then gets a call from his master, who happens to be Papa Hebinuma, answering that he’s Xiaohei and that he’s now doing an investigation into Kowloon and will report back on his findings with Papa Hebinuma saying to not underestimate him as just being an old man. I’ll get into why this is relevant later.
We then get back to Kudo and Reiko, who is questioning her existence and looking sad. When Kudo points out that the most of the debris from the explosion at Hai Sing Tower had been cleared, he notes that Reiko has been awfully quiet. She asks him whether he remembers what he told her, that she shouldn’t go anywhere, and when she turns the question back onto him, saying she doesn’t know where she should go, he embraces her and confirms that he’ll always be here, even if this world is empty he thinks to himself.
Yaomay then gets a dose of reality when she finds out her bank account has no money with Gwen confirming to her that money earned in Kowloon disappears since it doesn’t exist. Nevertheless, he lets her borrow a large amount of money from him, saying his former job, which may have been the brief stint he had investigating Kowloon for Miyuki, paid outrageously well. Yaomay then gets shut down time after time again until she meets the original version of one of the elderly folks Kujirai B and Kudo used to play mahjong with, and when she talks about how Kowloon still exists, he thinks she’s into those online urban legends his grandkid is into that talk about the illusion of the Second Kowloon Walled City. He says there were a lot of rumours about it in the first place about how it was demolished as a cover-up by the Hebinuma Group, and when Yaomay pressed him for more info, he said that you never know who might be listening, so if she wants to know, she’ll have to ask those on the Internet.
Yaomay then goes to an Internet cafe and enters a chatroom with Yulong on the other end of it, who realizes that it’s her. They both want to prove the existence of the illusory Kowloon, but to do so they must find out why it exists. Yulong asks her if she has noticed anything strange, and after a lot of questions and answers, Yaomay realizes that it’s always midsummer in Kowloon since she had found Kowloon in March when it was cold out. They then exchange contact info after Yaomay explains she doesn’t know anything else, and he shares something he supposedly knows about a cover-up being involved in the demolition of Kowloon, which Yaomay intends to learn more about when she returns.
I love that Yaomay, who has the least connections with Kowloon compared to the rest of the cast, is advancing the plot as ecargmura at ArumJournal indicated. It’s boring when the protagonist does everything, which is why I hate most isekai power fantasies, since they’re just shallow wish-fulfilment and nothing more. I’m not against the protagonist being the most competent person in a story, but you have to give useful and fulfilling roles to side characters to make your story more interesting to make it go beyond a reader self-inserting into the protagonist, imagining that he/she/they are just as successful and smart as the protagonist, which is why I’m happy with Kowloon Generic Romance’s mangaka for giving the story’s side characters such a prominent role.
How this is relevant is that this shows that Papa Hebinuma is further along in his investigation than Miyuki and Yulong since the male Xiaohei had already indicated that it’s always hot in Kowloon with him saying his helmet isn’t right for “this Kowloon”, showing that he already knew it was always summer in Kowloon. Papa Hebinuma, seems to be conducting his own investigation into Kowloon by using that male Xiaohei, who was first seen in Hong Kong with Yulong in Episode 6 when he was described as a new assistant, which suggests that this male Xiaohei could be the original since he entered from outside of Kowloon.
If we accept that this current Kowloon is a product of Kudo’s existence and quite possibly a construct of Kudo’s mind or subconscious like I propose it is, then perhaps why two versions of Xiaohei can exist at the same time is that the male Xiaohei is the real Xiaohei and the young girl Xiaohei is simply who Kudo always perceived Xiaohei as being, meaning he misgendered Xiaohei all this time, and Xiaohei’s actually a male. Since the young girl Xiaohei would not be not a true stand-in for the apparent real Xiaohei since Kudo may have never knew Xiaohei’s gender, that would be how a real version and a fake version can exist at the same time as girl Xiaohei doesn’t represent the real Xiaohei. One way to test whether this theory is true would be to reveal to Kudo that Xiaohei has actually been a guy all this time. If the young girl Xiaohei disappears, it’d show that Kudo is central to the existence of this current Kowloon. Papa Hebinuma may have already figured out that the mystery around why there can be two versions of Xiaohei is crucial to understanding why this Kowloon exists.
I personally believe this Kowloon exists ’cause Kudo was crushed by Kujirai B’s death, and for some reason, it manifested partially or entirely as a construct of his mind or subconscious in an effort to get him to move on from Kujirai B. That’s why I speculated in my write-up of Episodes 3 and 4 that the question Kudo asked to Kujirai B in Episode 2 could hint at the ending of the story in the story. “Wouldn’t it be painful to be in love, knowing it’d be gone someday?” could end up being THE central question to the story since it’s clear he’s still reeling from Kujirai B’s death and given him placing a huge emphasis on nostalgia. I believe the most important lesson Kudo must learn is that the joy and connection of love, even if temporary, outweigh the absence of such experiences and heartbreak. I believe that the last few episodes will likely have Kudo realizing the truth of this unnatural world and choosing to fall for Reiko despite her differences from Kujirai B, fully knowing that it won’t last due to the world in Kowloon Generic Romance not being real. My hunch is that this work is meant to be a serious lesson about how it’s okay to fall in love even if that love isn’t permanent ’cause love is very much worth it as there’s nothing more beautiful in the world.
At the end of the episode, Yaomay texts Reiko about wanting to see her and that Gwen is with her when Reiko was in bed with Kudo, and obviously Kudo and Reiko rushed to intimacy when they don’t really know each other that well, meaning they acted out of pure passion in the moment. It’s not like with Kudo’s previous relationship with Kujirai B in which he was in love. I do think it will get to a point where Kudo genuinely loves her though, if only for the final episode. It’s certainly an interesting point at which to end the episode. I did catch that it’s now July 1st with it being July 23rd in the first episode, meaning time resets before it becomes August 31 but I completely forgot to point that out in my blog post. My theory is that this the timeframe leading up to Kujirai B’s death is important, and Kowloon, if it’s a construct of Kudo’s mind, is trying to make Kudo get closure over losing her, and thus, it is giving him time to fall for Reiko before realizing that she’ll be gone, which will give him the chance to say goodbye to her, which he couldn’t do for Kujirai B.