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A Re:Zero Theory: Episode 67 indicates the heroes from four hundred years ago were involved in the creation of the Witch Factors

Posted on April 10, 2026 | by anicritic | Leave a Comment

After Season 4’s first episode, I believe there’s a very good reason to believe this. Episode 67 hints that Foxidna very much remembers Julius even though he had his name eaten by Roy Alphard, one of the Sin Archbishops of Gluttony when the show previously led viewers to believe that Subaru was the only one who could remember such a victim when everybody else forgot, and conveniently, Foxidna also puts it into Subaru’s mind that it’d be a good idea to take Rem with him to the Pleiades Watchtower so that he could have the perk as being the first one she sees upon being cured, which is showing the same sort of manipulation skills as the original Echidna and Tea Party Echidna.

As a refresher to those who don’t remember all my theories or to segue those who have never read my theories before into the meat of my post, there is a basis to believe this given that everything up until Season 2 was planned at least partially by Echidna centuries ago and probably by Flugel too given he made Petelgeuse promise to not take in the Sloth Witch Factor, which was implied by Petelgeuse apologizing to Flugel, most likely so that Petelgeuse wouldn’t until Pandora and Regulus invaded Elior Forest when he had no other choice to protect the love of his life, Fortuna, and Emilia. A similar event involves how a special font was used in the Frozen Bond OVA to denote a female’s speech regarding a contract with Puck in which he would lose his memories and perhaps other aspects of himself if he entered into a contract with Emilia with that female’s speech being revealed to be that of Echidna based on Season 2 reusing that font. That both Echidna and Flugel both made someone promise not to do something only for them to do it when there was no other choice with Regulus and Pandora’s arrival for Petelgeuse and Melakuera’s assault against Emilia for Puck may indicate that one of Echidna and Flugel learned that sort of behaviour from the other, meaning there was an age difference between them. Alternatively, they could’ve just closely collaborated on things like I have speculated, but these things aren’t necessarily mutually exclusive.

As Season 2 revealed through Roswaal and Season 3 reiterated, Echidna’s not-quite-Tome of Wisdom, however many there are given Echidna might’ve lied about how many copies she made, is the prototype for the Witch Cult Gospels, meaning that they are most likely at least partially made by some of the same materials, and given how Roswaal’s not-quite-Tome of Wisdom was not meant to bring about the return of the Echidna Roswaal knew, the same could go for Gospels in not directing their holders to their goals. I don’t buy into the theory that the reason Otto wasn’t in Roswaal’s not-quite-Tome of Wisdom is ’cause he was meant to have died as Ram, Petra, and Emilia all died in Arc 3, and with that being the case, it can be argued that all three of them were meant to have died, so the true reason Otto wasn’t in the not-quite-Tome of Wisdom must have been something else. As a text that supposedly tells the future and can update itself based on current happenings, there’s no good reason why Otto was excluded unless the source of the knowledge of the Tome just didn’t want it to be included, and if that’s the case, Echidna may very well have been responsible for its contents with the common denominator between the not-quite-Tome of Wisdom and the Witch Cult Gospels possibly being that they are made at least partially from a body part or body fluid of hers much like her tea in the tea parties with these texts being connected by magic to her mind/soul since we know the soul is the seat of the mind in Re:Zero, which is why Subaru remembers his past lives even after Returning by Death ’cause his whole body resets to a prior point, but his mind/soul doesn’t.

This implies that the Echidna from four centuries ago, Tea Party Echidna (mostly her), Foxidna, Flugel, and others from that era were driving events from that timeframe until present-day Re:Zero with a common future in mind with examples being Puck being in a contract or oath with Echidna to not enter into a contract with Emilia or lose some of his memories should he choose to, Flugel conveniently planting the world tree known as Flugel’s Tree in the exact spot the White Whale extermination force needed to trap the White Whale’s main body, Petelgeuse apologizing to Flugel in making his decision to take in the Sloth Witch Factor, Roswaal saving Ram and Rem after allowing for their village to be wiped out, and the White Whale leaving Subaru alone in Episode 17 through someone’s order, probably Pandora’s, even though there appeared to be orders to not allow people to inferfere with Petelgeuse’s Ordeal to Emilia, meaning Subaru was allowed to escape from the White Whale so that he could learn about the White Whale’s Fog of Elimination, inadvertently kill Emilia, pushing him to the point of giving up, and see Petelgeuse’s Authority of Sloth: Unseen Hand, so that Rem could give him his From Zero moment and so that Subaru could plan his counterattack against the Witch Cult.

One big thing about mabeasts that we learned in Season 2 is that they were created by the Witch of Gluttony and that they find the scent of Satella and Subaru, irresistibly delicious, showing it’s probably the miasma of the Envy Witch Factor or the Envy Witch Factor itself that is irresistible to them. Thus, given that Subaru being pushed to his breaking point and finding out about Petelgeuse’s power was all conditional on the White Whale chasing after him, that the defeat of the White Whale was also conditional on Subaru being irresistible to the White Whale, and the defeat of the Great Rabbit was also conditional on Subaru being irresistible to that mass of rabbits, Daphne, the previous Witch of Gluttony, and her mabeasts might have specifically been drawn to one aspect of the Envy Witch Factor that I talked about, either partly due to experimentation (from herself or somebody else) given the weird coffin and restraints associated with her along with the weird shape of her arms, which perhaps suggests she is far more than just a normal human with the power of a Witch and that there’s more to the story of her true nature. If I’m right about this, Daphne may be a homunculus of sorts made specifically as part of an overarching grand plan from the group of heroes from four hundreds ago to bring the world to a free future, and she may be the first the host of a Witch Factor given the signs of experimentation on her that aren’t present on the other dead Witches of Sin from Season 2. Now I’ll have to take a detour before getting back to this point.

In my main theory, Satella and the hero group, which includes Satella and Flugel, from four hundred years ago started a grand plan to cause an intervention that would end the cycle of the world being constantly destroyed and reconstructed by forcibly ensuring that the Hero of the story at some point would be weak enough, as in Subaru, since that’d be the best way for the Hero to overcome his character flaws unlike the past Heroes of the story who I posit had everything come easy to them, and that means the heroes are the reason for the Witch Cult’s founding and even why Pandora took over the Witch Cult eventually, and yes, I do consider Pandora to be one of the heroes.

I expect the final boss to be someone with an Authority that allows him/her to control the story path. This would make Melakuera stating that he faced world-ending crises countless times makes sense if the world was continuously being destroyed and reconstructed before the age of Satella. Melakuera remarking about the world imbalance and Witch suggests that the world’s repeatedly destroyed by the Witch of Envy, likely due to the actions of selfish and overpowered heroes of the story of each iteration of the world who choose their women over the world due to never overcoming their character flaws with Subaru saying in Episode 29 only someone who hates the world would choose mayonnaise over the world being foreshadowing of the choice he’ll have to make.

If Satella actually had a contract in which she shares her field of vision with Echidna through a soul, similar to how Satella can read Subaru’s thoughts and can take action against Subaru for doing so, which would explain how Satella knows what should be Subaru’s save points given it’s unlikely for her to remember the exact details from four hundred years ago of the grand plan, meaning she should be getting direction from someone else. As a reminder why it’s literally impossible for Satella to be future Emilia, Satella told Subaru what he gave to her in Episode 38, and Episodes 18, 25, and 38, respectively show that Subaru has dormant memories of Satella given that Puck revealed to Petelgeuse in Episode 18 that if he wants to kill him he needs to summon a thousand shadow hands, half of what Satella could (Half of 1,000 is 2,000), that Subaru used a number associated with Satella to express his affection for Emilia when he said that if Emily names ten things she hates about herself, he’d list two thousand things he loves about her, and after Satella requested to Subaru in Episode 38 that after he comes to love himself that he should one day come kill her, he suddenly had a positive upwelling of emotion for Satella and swore that he’d save her even though he had called her a monster he couldn’t understand shortly before that, which indicates that they used to have a close relationship and were probably lovers. Given Subaru literally has dormant memories of her, it therefore makes it 100% impossible for Satella to be future Emilia, so Emilia and Satella’s relationship is something different than that. This would explain how Subaru hasn’t been trapped in a bad loop that is inescapable, and that’d be due to Satella’s direct collaboration with Echidna.

Thus, I theorize that Daphne may have been part of, as a test subject, in the initial research from the group of heroes from four hundred years ago on how to create Witch Factors, and this is both why mabeasts and Daphne are attracted to Subaru’s scent and why both Subaru and Foxidna are protected from the aftereffects of Gluttony eating somebody’s name or both that person’s name and memories either due to having a Witch Factor or having a high amount of miasma because it was important for story purposes that Subaru be chased by mabeasts and also be able to remember Gluttony victims such as Rem and for Foxidna to also be able to remember those victims in order for Subaru to overcome the challenges he must face and to keep the world on the path the group from four hundred years ago is trying to bring about in which the world is saved and stops getting destroyed.

All of Arcs 1-5 so far (Seasons 1-3) have all developed Subaru’s character in a certain fashion with Arcs 4 and 5 (Seasons 2 and 3) being Subaru’s greedy arc where he tries to reject the type of person Roswaal tried to fashion him to be, and Emilia as well as other characters, whether they be part of the Emilia camp or not, have been developed in ways that may be crucial to the story with Foxidna being perhaps an important driver of this arc’s events in continuing the grand plan in suggesting that the group visit Shaula and for Subaru to take Rem with him with her selling the latter idea very well to Subaru, and I believe Subaru’s fatal character flaw will be dealt with by the end of the story so that he can bring about a future free from determinism.

Re:Zero Episode 67 (Season 4 Episode 1) – Analysis + Important Details + Aside on Crunchyroll’s Horrible Work

Posted on April 10, 2026 | by anicritic | Leave a Comment

For this season, I will not be using the same approach I did with Season 3 in that my posts will be less recap and more interpretation of the scenes along with my heavy focus on theorycrafting as all the recap itself burned me out as I kept taking the same approach with multiple series.

Before I go into that, I deride the current state of Crunchyroll, which based on the translated words at multiple points in this episode, point to machine translation with stuff that makes no sense in the context of what is currently happening or what came before. Muse Asia, which is available in southeast Asia and to those who use VPNs with hosts in that region, is known for having much better translations of Re:Zero than Crunchyroll, and I suspect a higher-up at Crunchyroll knew this, which is why Crunchyroll used its financial and legal might to force Muse Asia to release Re:Zero Season 4 two weeks behind its simulcast, which is a big departure compared to the past. It’s disgusting that instead of trying to do a better job, Crunchyroll, or maybe should I name Sony instead since it owns Crunchyroll, decided to kneecap a competitor that was putting out a far superior product compared to what it was churning out with machine translation and robbed viewers of being able to watch an accurate translation in a timely fashion.

Episode 67 starts out somber with Subaru feeling a mixture of pain and anxiety over him being the only one to remember Julius although Julius is clearly happy that Subaru took this subject as far as he could. Subaru remarks that Julius only had his name eaten, which makes the people in the world forget you, as opposed to having only having your memories eaten, which happened to Crusch, and having both eaten, which makes it so that you functionally never existed in the world even though your body still exists although in suspended animation, with the source of that info being Puck when he spoke with Subaru early in Season 2.

After Julius said that he considered Reinhard and Felix friends following Reinhard saying that they were acquaintances or perhaps more than that, Anastasia according to Crunchyroll says, “Just two friends? I don’t think that’s all there is to it” when the conservation was about the trio of Reinhard, Felix, and Julius, showing a complete failure to understand the conversation, which suggests machine translation that can’t understand context. Using Google Translate, I see that “Tada no tari no tomodachi?” rendered as “Just casual friends?” so I’m assuming a proper translation would be “No more than mere friends?” rather than “just two friends”, which is very wrong based on the context. Subaru notably raised his eyebrows at this point since her suggesting there’s more to it than that shows that Anastasia remembers who Julius is unlike all the others aside from Subaru, which clearly demonstrates that she’s not the genuine article. If you recall from Season 3, Al clearly stated that the one in front of him cannot be Anastasia ’cause of her ability to use magic, and I speculated that either a shapeshifter had taken Anastasia’s place or someone/something had possessed Anastasia’s body.

Anastasia then suggests that even though they captured the Sin Archbishops (which is false since only Sirius, the Sin Archbishop of Wrath, was captured), they should visit Shaula the Sage, who is known as one of the three great heroes of the Dragonfriend Kingdom of Lugunica ’cause Sirius would be unlikely to tell the group what they need to know to either undo the damage to the victims of the Sin Archbishops of Gluttony and change back those who were transformed into different creatures by the Sin Archbishop of Lust. The Sage is supposedly the keeper of knowledge who foresees everything that will ever be, but I wonder how true that is since Echidna’s Tome of Wisdom apparently could see all of the past, the present, and possible futures of Re:Zero’s fantasy world based on Season 2, so it’s a question mark how accurate this info is. Shaula supposedly lives on her own at the Pleiades Watchtower located somewhere in the Auguria Dunes located in the easternmost edge of Lugunica, which was built to prevent invaders from reaching the sealed Witch of Envy, so now we know where Satella’s body is. Reinhard had set out in search of the Pleiades Watchtower two years ago when the Royal Family fell ill and was eventually wiped out, but a barrier prevented him from ever reaching it, similar to how there’s a barrier near the Sanctuary in Season 2 that made it hard for outsiders to find the correct path to get to the Sanctuary. He had been ordered to make this journey by the council, as in the Council of Wise Men, who are ruling in place of the king. He can’t take part since since he has to escort Felt and transport Sirius Romanee-Conti back to the Capital, and there’s probably no one better suited to bringing Sirius back since no one is a match for him in Lugunica.

After they make camp for the night, and everyone aside from Subaru and Anastasia are asleep, Subaru drops the fact that he knows it’s not really Anastasia speaking due to how coldly she talked about Ricardo, a close friend of hers who has a life-changing injury, with him saying something’s been off the whole time, a nod to early on in the episode when she gave a sign that she remembered Julius. Whoever’s in Anastasia’s body reveals that Priscilla also outed her, but surprisingly, she didn’t name Al, Priscilla’s knight for some reason, which I find suspect given the opportunity was 100% there. She reveals that her name is Echidna, identical to that of the Witch of Greed, and that she remembers nothing about herself aside from her name and that she’s an artificial spirit whose true form is the fox muffler that Anastasia wears. However, this artificial spirit speaking in an Echidna-like cadence suggests that she’s lying to an extent. Given Re:Zero has already used a character in the past speaking like that of another character in Season 2 in Roswaal to show that he had been traumatized due to his beatdown from Hector in Season 2, imitating his speech pattern ’cause to him Hector was the embodiment of power itself, it’s clear Tappei is willing to use speech patterns to imply relationships between characters. Now, I’ll be referring her to Foxidna from here on out on due to it being Subaru’s preferred name for her.

Where I’m going with this is that the number three is important in Re:Zero. The group who sealed Satella were revealed to be the Sword Saint of the time, the Dragon Lord, and Shaula the Sage, was a trio. The Pearlbaton siblings are triplets. There are three magic attribute pairs in fire and water, earth and wind, and yin and yang. There were the Three Great Mabeasts in the White Whale, the Great Rabbit, and the Black Serpent. The Sin Archbishops of Gluttony are a trio. Liara, Garfiel’s mom, has had children with three fathers since Frederica and Garfiel had different fathers as they’re half-siblings. To refresh one’s memory of previous seasons’ events, Puck called Beatrice his little sister in Season 1 and only in Season 2 did we find out that Beatrice is an artificial spirit made by Echidna. This makes Puck also an artificial spirit of Echidna’s if you’re able to connect the dots from past content. In the Frozen Bond OVA that came out in 2019, it was revealed that Puck had been ordered by a female speaker whose speech had been denoted by a special font to find Emilia, and he had a contract or oath with this female speaker wherein if he got too close to Emilia as in formed a contract with her, he would lose that which makes him himself. This special font was reused in Season 2 in one particular episode that showed that Echidna was the one who had given Puck the task of searching for Emilia and made him take up that contract/oath, and what it did was cause Puck to lose some of his memories. This is why Puck had no idea that Roswaal L. Mathers was the same Roswaal from four hundred years ago, only that he was body-snatching his descendants and why he allowed Roswaal to become Emilia’s sponsor at all, and only after Puck broke his contract with Emilia did he remark that Roswaal is speaking like someone he used to know very well and eventually remark that Roswaal will never be that devil/warlock, referring to Hector, ’cause he had finally recovered his memories. Also of note is that Echidna tasked both Puck and Beatrice with something in searching for Emilia and taking care of her Forbidden Library until she finds “that person”, so it’s established that Echidna has given her artificial spirits orders or suggestions for hazy reasons. Given Foxidna is familiar with Echidna’s speech pattern, she may very well be lying about knowing nothing about herself and at least remembers talking with Echidna four hundred years ago. Given this information, Puck, Beatrice, and Foxidna may be a trio of artificial spirits created by Echidna when one considers how often Tappei makes use of the number three, and since Foxidna had the opportunity to mention Al but didn’t, choosing only to mention Priscilla, the order or suggestion Echidna may have given her is to not say anything about Al under any circumstance.

My next point will go back to the point I made at the start of the episode in that Foxidna remembers who Julius is. This is a very surprising development ’cause based on previous seasons, Subaru was the only person who remembered victims of Gluttony’s eating Authority, meaning this is breaking new ground. Given Echidna was the Witch of Greed in the past and was seeking immortality, and we know she had successfully created at least one soul clone since Tea Party Echidna spoke in Ryuzu Shima’s body in Episode 48, Foxidna might be another soul clone who was placed into a fox muffler as her body. This would make sense given Foxidna knows Echidna’s speech pattern, and Echidna may have worn the fox muffler that is Foxidna in the past, and that’d be how Foxidna learned how Echidna speaks. If that’s the case, what are the common denominators between Subaru and Echidna that could explain why Foxidna remembers who Julius is? What we know for know for sure is that both of them had Witch Factors, and people with Witch Factors and Witch cultists in general emit miasma, which we visibly saw in Episode 15 from Rem after Subaru looped and had retreated into a shell due to his being unable to bear how so many people died ’cause he wasn’t able to save them given Petelgeuse claimed that the love that hangs upon Subaru is equivalent to that of a Sin Archbishop, showing they emit something that is responsible for what Rem and Beatrice have described as a foul smell, and we know that Subaru can command Witch cultists due to his emitting a lot of miasma, and if Echidna split her soul into Foxidna, she may still have a piece of the Greed Witch Factor. In conclusion, I surmise it is either having at least one Witch Factor itself or emitting a high amount of miasma that allows for Subaru and Foxidna to remember Gluttony victims, and this makes me believe that all Witches of Sin, Sin Archbishops, and people with Witch Factors in general can remember Julius if they cared to even if this is just conjecture for now.

Furthermore, Foxidna says that she had Anastasia’s consent to take control of her body when danger presented itself and only this time was she unable to. I speculated last year with regards to Season 3 that Priscilla may have known what happened to Anastasia in Episode 59 when she Priscilla mused on the unseemly guilt, the vixen, Foxidna, placed on Julius, and it’s very likely ’cause Julius while out to battle the first time against the Witch Cult, he was unable to protect Anastasia, which is what led to her taking over, and Foxidna’s remark backs up my speculation. Foxidna made it seem like Julius doesn’t know about her to Subaru, but he almost certainly does. In Season 3 when the one who appeared to be Anastasia used yang magic, the magic came directly from her whereas when there was an actual metia as used by Beatrice and Felt, we saw the magic emanating from the metia, not Felt or Beatrice, so this should show that Anastasia was not using a metia. And given the White Dragon’s Scale, Kiritaka’s mercenary group, didn’t incur serious setbacks against Sirius aside from Kiritaka’s capture, perhaps Anastasia had a mishap somewhere outside their base since everyone was buying time for her escape. In a big city, there are many potential hazards, so it’s not just the Witch Cult or Demi-Beasts you should worry about. As for Julius showing no discomfort upon returning the first time, Julius has a reputation for being the most knightly of knights, the opposite of Arc 3 Subaru, the self-proclaimed knight, so I believe Julius could remain stoic if Anastasia had really been hurt due to him being away from her when others aren’t capable of that.

Foxidna also had a very interesting thing to say about what she’d do to return Anastasia’s body. She said that she’d make the choice that offers the highest probability of success, and that’s why she wants to visit the Sage, and if that’s the case, it backs up my theory that Tea Party Echidna deliberately steered Subaru into getting Emilia to do the Sanctuary Trials with her saying that even have after three days of trial and error, which imply that she changed up the trial to try to get Emilia to pass it, she was unable to break Emilia out of her shell, lied about her telling Beatrice to wait in the Forbidden Library for “that person” ’cause she was just curious who Beatrice would choose, which was an effort to sound as evil as possible so that Subaru would reject her contract that would involve him doing the Sanctuary Trials, and this is backed by Tea Party Echidna saying after Subaru rejected her contract that he didn’t him to think that she was the only evil one of the Witches of Sin, leading to her taking away Subaru’s qualification for entering the tomb, and this is important since Subaru was using his ability to enter the tomb as a crutch instead of speaking to Emilia and getting to know her, which viewers know to be true since the first thing he did after he composed himself was to try to go back into the tomb. Perhaps choosing the choice that offers the highest probability of success is actually a fundamental part of Echidna’s character, which would explain why she, as I surmise, enacted a grand plan with the heroes from four hundred years ago to bring the world to a good future. She may just say that all she wants is all the knowledge in the world, but the world continuing on instead of staying stuck in a cycle of being destroyed and reconstructed would be the best way to acquire more knowledge, so surely she took to the plan that would offer the highest chance of success. And there are signs that Foxidna may even have the Authority of Greed: Tome of Wisdom just like Tea Party Echidna did based on how she suggested to Subaru that taking Rem with him would be a good plan since he could say that he was the one to save her when she wakes up, which Subaru used a reason to take Rem with him on the journey to Ram when they meet later on in the episode, and Subaru’s notably reacted to that, showing that Foxidna’s words had a strong impact on him and that it dawned on him what a great idea it was in that moment. Foxidna may have shown that she’s just as manipulative as Tea Party Echidna and the original Echidna was. I suspect there is a very important plot reason why Rem has to be at Pleiades Watchtower, and it’s something we viewers won’t be able to see coming, but Foxidna knows why it must happen, and that’s the reason she planted the idea in Subaru’s head.

When they finally made it to Roswaal’s mansion the next day, there was yet another terrible translation by Crunchyroll when Subaru’s words were translated to “I hear the meeting with all the fakes went well.” As stated earlier in my write-up, the Council of Wise Men are currently ruling Lugunica in the absence of a king, meaning “caretakers” or “regents” would be a much better translation. “Fakes” in this scenario is gibberish that no human would come up with, showing that Re:Zero has an AI translator. This shows that just as Reinhard venturing out to try and reach the Pleiades Watchtower was done so by decree of the Council of Wise Men, Roswaal needed to meet with the Council of Wise Men to give Subaru’s group the okay to make the journey, likely ’cause of Satella’s sealed body being at the Pleiades Watchtower, meaning permission is necessary to ensure that the Council of Wise Men approves of their decision and doesn’t get squeamish at the thought of a large group travelling to where the Witch of Envy is sealed. Subaru reveals when they’ve arrived at the mansion that they are there for two reasons, to pick up Rem and Meili, and given that Meili blushed hard when she heard Subaru’s footsteps and that all the stuffed plushies there were made by Subaru since no one would know to make a plushie of a witch from Earth given witches from Re:Zero’s fantasy world don’t look like that, this shows Meili has really taken to Subaru, making his title “The Little Girl User” very apt. Meili is only happy to go along since she doesn’t want to be cooped inside all day and going back to a familiar place where there are mabeasts she can control is fine with her even though she swears she isn’t like Beatrice and Petra, which is false given what we saw of her reaction to Subaru coming down to visit her.

In a later scene, Julius also shows some very uncharacteristic vulnerability, diverging from his reputation as the greatest of knights, in wondering which is more painful, being forgotten or forgetting someone else, ’cause he was struggling with being forgotten and not being able to remember his own kid brother. However, Subaru snaps him out of him by reminding him that he remembers how capable Julius due to his humiliation by Julius’s hand, and that immediately improved Julius’s mood, leading to him bantering about Subaru’s weakness and how Subaru is remarkable since he can bounce back from bad situations so easily, and they’ve come a long way since Julius talked smack about him and completely and utterly humiliated him.

After that, Subaru heads to Rem’s room, and Ram asks him why he’s willing to go far for Rem. He remarks that he wants to be the first thing Rem sees when she wakes up, much as Foxidna pushed him into thinking. He says that when you take emotion out of the equation it doesn’t matter who saves her, but he really wants to be the one to do it with all of his being, which elicits a genuine smile from Ram, showing just how much she appreciates Subaru for caring about her sister even though she herself has no memories of her. Given that Subaru is the one that got Roswaal, who Ram loves with all her heart, off his awful path of doing so much evil ’cause of his not-quite-Tome of Wisdom, and Ram attributes Rem’s feats in the mansion arc to Subaru due to her not remembering Rem, it’s very clear Subaru holds a special place in Ram’s heart even if it’s not the same feeling Rem had for Subaru but moreso akin to that of a honourary brother and genuine friend for remembering Rem and all that he’s done for Roswaal’s domain, and that smile from Ram just showed how far the relationship between her and Subaru had come, which I very much enjoyed since Ram is one of my favourite characters in the show. He then enters Rem’s room and shows how he is resolved to bring her back thinking he wasn’t able to get that across properly before, maybe ’cause he had no leads or anything of the sort, but Foxidna gave him the drive and hope he needed.

The last part of the episode shows Garfiel breaking down when his mother asks why he shows so much concern for them with him explaining away that he can tell that they’re kind of losing it, which Liara has no good comeback for, but she knows something is amiss when Garfiel suddenly looks like he wants to cry, and she holds him as if she were his real mother, which she is, as he bawls about missing his mom, and Rafiel and Fred both walk out of their rooms to see what the commotion was before Mimi guides them back. Once Garfiel is at the door and about to leave, Liara says goodbye to him and urges her young kids to as well, and only after he learns of Rafiel’s name and that Liara named both Rafiel and Fred that he gets the sense that somewhere deep down she remembers him and Frederica given the similarity in their names, which very much lifts his spirits, and given Garfiel in Season 2 had a notable arc on thinking that his mother abandoned him, that moment must’ve been very good for his self-esteem since although she may not have remembered him he was still in her heart in a way, which was good for closing a character arc from Season 2, showing that Tappei plans his story for the long haul.

As for the episode itself, I thought it was a great start to the season and had good emotional moments, nice lore drops, and a number of instances of potential foreshadowing, and this was just a setup episode itself, so I’m looking forward to this arc, which is supposed to be the favourite among the fandom although we’ll see whether White Fox delivers on that front, and if it does, whether it is all that it’s hyped up to be. If this season is a success, it’ll be in spite of Crunchyroll’s rancid translations.

A trauma-informed analysis: How Episode 30 of Oshi Ko portrays the brilliance of Arima Kana and her resilience in the early stages of overcoming her trauma

Posted on February 19, 2026 | by anicritic | Leave a Comment

After all the negative thoughts Kana thought this episode after the reporter confronted her, when she thought of letting everyone involved with B-Komachi down after losing the guy, her thoughts on what the haters and online mob would say, and finally at the spot where Aqua found solace in Kana while playing a game of catch, Kana decided that she wouldn’t be a damsel in distress who turns to a guy, namely Aqua, for help only when she needs it, and that she didn’t become an idol only for Aqua but as a means to stay in the industry, and it’s brilliant for depicting a character in the early stages of overcoming her trauma.

This is significant as for much of Kana’s life, she turned to her mother for validation, which isn’t wrong as everyone needs validation to some extent growing up to develop normally, but Kana’s mother emotionally abusing Kana due to her popularity declining with the end result being that she abandoned Kana led to her daughter developing a huge inferiority complex as well as having abandonment issues. This is why Kana deciding that she doesn’t need to be saved by Aqua is an important moment for her.

Growing up, Kana’s acting career likely wouldn’t have started without her mom’s approval, so as a child growing up, Kana counted on her mother for validation and saw her mother as being the one to allow her to shine. When this arrangement ended, it was obviously a huge blow to her self-esteem, which led to the issues she currently has, and that’s why she fell head over heals in love with Aqua since he basically set her up to shine the Sweet Today live-action adaptation by increasing the level of acting from Melt and bringing about a high enough level of acting for Kana to deliver high-caliber acting, and in that moment, Aqua in a way stepped into the role Kana’s mother was in as the one who’d give Kana the feeling of validation she needed as she perceived him to be the one who saw her true talent, not Kaburagi Masaya, who only used Kana’s name recognition as a draw to promote male models. People with trauma often gravitate to people who will reactivate their trauma, and given Aqua is an emotionally distant person, the odds of him doing something similar to what her mother did to Kana was possible, and Aqua himself was drawn to Kana in a sense ’cause his self-conscious was also trying to recreate a familar situation with Kana becoming an idol much like his mother was, so the dynamic Kana and Aqua had was in a way toxic even despite what they feel for the other, so I’m glad there’s a bit of decoupling here regardless of whether it lasts.

This is why Aqua ghosting Kana for a year led to Kana being in such a poor headspace since she had a strong irrational emotional attachment to him and could only see that Aqua must hate her given he told her to shut up and struck her, not being able to see Aqua’s distress since her internal image of Aqua was the one who’d validate her for her talent like her mother used to, and seeing him act that way reactivated all of her trauma, leading to her asking whether he hates her even if Aqua was in poor shape himself. It’s not ’cause Kana’s a bad person who’s incapable of seeing that Aqua was not well as she likely concluded he was unwell, and that’s why she got out of the vehicle, but when someone’s trauma is reactivated, their mind shuts down, which much of the time leads to them being unable to think about anything else aside from their trauma. I know this as someone who’s had trauma and ’cause I know someone who gets triggered so often by his trauma. Kana still has a fierce desire to stay in the industry after all this time even after living by herself all these years, and that’s why she was so easily fooled by Mako, who gave a tip to the reporter about Kana being at Shima’s place, which is how the reporter knew there was nobody else at Shima’s place aside from Kana, and it was ’cause she was so desperate at the time ’cause of her source of validation was gone.

As a disclaimer, I am in no way saying that Kana is over Aqua now as I’m sure we’ll find out, maybe even in the coming weeks, that she isn’t, but Kana deciding not to rely on Aqua in her time of despair shows that she’s in the beginning stages of overcoming her trauma. I had to include that since I’m sure some Kana haters or Akasaka haters might say that this pivotal scene had no bearing on Kana’s development as a character at all, and they’d be wrong of course. Kana deciding not to rely on Aqua at this moment is most definitely a sign of growth from Kana as to recover from trauma a big step is to focus on self-validation rather than relying on external validation. It’s so important that Kana decided that she very much chose to become an idol for herself to stay in the industry since her acting career was going nowhere, not ’cause she was merely doing it as a favour to Aqua, who she saw as her knight in shining armour. She’s shown that her surviving for years in the industry without her mom wasn’t a fluke and that she can survive without Aqua either even if it’ll hurt her if he’s not around. I was so happy for Kana in that moment and do believe she’ll truly make it in the industry even if it’s not until long after the series ends.

Akasaka’s doing a great job writing such a realistic character in Kana, and it shows a deep understanding of people who have trauma for him to have chosen to write Kana this way with all of the highs and the lows, and it shows that he probably knows at least one person in the industry who has had issues such as Kana’s or has read a lot of credible works informed on trauma that he was able to include a character in his story that could conceivably have come straight from the real world, and the higher-ups at Doga Kobo obviously also see Kana’s character as a compelling one, which is why Doga Kobo nailed all of her scenes with all the care that’s put into adapting Kana’s content. I’ll say it if nobody else has: Episode 30 of Oshi no Ko was absolute cinema as the way it displayed Kana’s mental processes throughout the episode before having her defiantly scream that she’d be all right is just peak anime content. This is how you write someone who’s getting put through the wringer but still decides to push through anyway. Kana was very courageous in the face of adversity.

In defense of Akane in Oshi no Ko, who isn’t a perfect waifu, and why that’s a good thing

Posted on February 12, 2026 | by anicritic | Leave a Comment

I’ve seen a lot of people call Akane a perfect waifu, and I don’t agree with this sentiment. A perfect waifu wouldn’t tell Aqua in Episode 29 that he needs to make his own decision on how he wants to live and that she’ll support whatever his decision is after he has made it. I get the sense that Akane has taken her psychological profiling that she uses to portray the characters she plays when acting too seriously and has read up too much on psychology to her detriment. Although that’s how she was able to step into Ai’s shoes so well for the Dating Reality Show arc and get Aqua curious about her, not everything can be understood just from reading about psychology.

While Akane is right that when one half of the couple leans too heavily upon the other to make decisions it can be a toxic dynamic/relationship, she clearly has no previous relationship experience before dating Aqua, and it shows. She should know that Aqua was doing better mentally when he wasn’t bothered with revenge, but she merely stated this season that she prefers that version of Aqua rather than fully realizing that Aqua was legitimately in a better headspace after giving up on revenge rather than it being a matter of opinion. She should’ve outright told him to continue letting go of what haunted him as it’s not wrong to encourage your partner to do what’s best for his mental health, and the one time Aqua needed Akane’s emotional support more than ever he didn’t get it.

Akane is clearly a kind girl who doesn’t mean any harm, but I see her naivety being horrible for Aqua. She has made it her goal to kill Hikaru in place of Aqua to keep him out of it, but she perhaps let out a freudian slip about that in Episode 29 when she mused about carrying his burdens with him, hinting to Aqua that she knew all along that his father still lived, and Aqua, with him being the intelligent guy he is, most likely caught onto the possible implications of that, making her attempt to safeguard him a failure, not to mention the potential damage to their relationship.

She just wants to be a supporting girlfriend, but she doesn’t know what’s the best approach of doing that. I’m thinking Akane may not have had a great childhood herself with something clearly missing as her idea of what a girlfriend/loving partner should do is somewhat amiss and moreso along the lines of what a teenage girl would read online about co-dependent relationships instead of following in the example of her parents. I’m glad that Akasaka had the courage to write Akane this way even if will be bad for Aqua’s mental health as he’s showing just what can go wrong as people struggle to grow into adults. She’s relentlessly trying to do what she believes is best for Aqua even if some of her beliefs are misguided, and she’s a well-written and flawed character, not a perfect waifu as some people claim her to be.

This will most likely put Aqua back on the path to revenge against Hikaru, and then they’ll go about it as a couple with Akane supporting him with all her heart. Unfortunately, I believe the direction Episodes 28 and 29 went in point to Oshi no Ko ending in a dark and bleak fashion. And while I can see why fans would be very upset with such an ending, if the first arc with Ai was a criticism of the industry and the last few arcs build up to a dreary ending, I can see Oshi no Ko being a story about the very significant mental health crisis in Japan and how underneath the entertaining aspects of the Japanese entertainment industry lies a message of a country deep in crisis with many of the people who engage with this industry, either directly as a part of it or as fans of it, having major issues.

Watching anime for perfect waifu is in my opinion not the ideal way to watch it. You may get solace from feeling close to such a character when watching anime primarily as an escape, but it will not motivate you to improve your life and meaningfully grow as a person or to diversify your perspectives on life and relationships. I hope anime-onlies such as myself can watch the entire series and not pre-judge the ending as terrible, instead focusing on what message Akasaka was trying to tell. There are big deep-seated issues in Japan that often show up in developed countries later, much like a rapidly aging population, a shrinking workforce, and reduced social interaction/withdrawal. The significant mental health crisis is probably a sleeper issue that will creep up on many countries.

A trauma-informed analysis: Why the bashing of Kana due to Oshi no Ko Episode 28 is unwarranted and is a refusal to engage with the story

Posted on February 6, 2026 | by anicritic | 2 Comments

The biggest reason for the bashing of Kana is basically that people are self-inserting themselves into Aqua’s shoes and focusing on what a perfect waifu would do instead of engaging with Akasaka’s work in the way he intended for it to be consumed as Oshi no Ko is big on confronting the realities of the misogyny idols and people who work in the Japanese entertainment industry face regarding waifus, which includes idols, being seen as existing solely for all the lonely men out there who feel unfulfilled in their lives, not having their own agency outside of being emotional support for these men and thoughts that are their own.

As for how this relates to Kana, many people who have trauma have a hyperfixation on their own thoughts, actions, and behaviours due to how they’re scared to relive their trauma again, and I know this ’cause I was traumatized myself, and this is referred to as hypervigilance. This can lead to them being very focused on themselves since they had no one else to look out for them when they were younger, not ’cause Kana is an abnormally self-centered person. In the case of Kana, her mother emotionally abused Kana and abandoned her after her popularity decreased as a child actress, which led to her having an inferiority complex and having a fear of abandonment, a reason for her intense desire for validation and feeling needed, which Aqua exploited by roping Kana into joining his sister’s idol group.

Aqua imprinted on Kana since they were kids ’cause he knocked her off her high horse when she had an overinflated ego, and that moment led to her on some level viewing Aqua as this amazing guy since it was a good learning experience for her that changed her life, and she rightfully realized she needed to improve given her self-esteem was tied to her acting ability. Then Aqua did all he did in the Sweet Today arc just to make her shine, and she became obsessed him thinking of him as her Prince Charming and made him the one she would work to have her feelings of validation and of being needed be realized, which is why she was so easily pressured into joining B-Komachi. Kana basically replaced her desire for her mother’s validation for her desire for Aqua’s validation.

And so Aqua avoiding Kana despite her doing what she’s doing for Ruby to seek validation from Aqua led to a serious decline in her mental state as she is someone who seriously needs therapy. In Episode 28, Aqua doesn’t respond verbally to Kana, who deep down wants his validation even if she realized at the moment that he was in distress, and he physically injures her too, knocking her to the ground.

Thus, It actually makes 100% complete sense why Kana acted the way she did since she made it her life to seek Aqua’s validation, and him telling her to shut up and strike her is basically seen by her as Aqua reproaching her, triggering her heavily in the process. As she was basically reliving her trauma all over again, you can’t expect her to be in-tune with Aqua’s distress and react accordingly. When people engage with animanga or any story in general, they should try seeing the behaviour of the characters from their own viewpoints and not that of just the protagonist that they’ve grown attached to. Kana did nothing wrong in the way she handled the situation, and it was the best she could given how serious her issues are. For Kana, Aqua telling her to shut up and strike her is basically denying her entire existence, so of course she’d shut down mentally and hyperfocus and bring up something that is congruent with her trauma in that she believes she is someone who doesn’t deserve the affection of others due to the emotional abuse she suffered at the hands of her mother. That she didn’t think of Aqua’s distress and focused on herself is ’cause instead of Aqua being her source of validation as she had intended for him to be, he’s now instead forcing her to relive her trauma, and her fight-or-flight response activated, a primal reaction to perceived danger. All of this shows that Akasaka understands trauma very well in how he has written his characters, and Kana should really not be getting any flack by people self-inserting themselves into Aqua’s shoes.

Kana acting in this way as an idol, prioritizing her own thoughts and well-being, led to people who see idols and anime waifus as having no value aside from being emotional support for themselves or the protagonists they self-insert themselves into being shocked as it’s a very un-idol or un-waifu thing to do, which is what led to the bashing even though it is not how Akasaka intended for people to view his story and Kana’s reaction.

As for why Kana doesn’t look for validation through friends, a lot of people with a bad childhood don’t have a secure attachment with at least one parent. To sum this up, attachment theory posits that humans are born with an innate need to form close emotional bonds with caregivers for survival and emotional security, and this influences childrens’ emotional regulation and relationship patterns, secure, anxious, or avoidment attachment styles even into adulthood. This is the reason it’s believed that many people with poor childhoods end up having problems with emotional regulation. People with anxious or avoidment attachment styles tend to look for partners who will trigger their trauma even if from the perspective of a normal person it seems insane since it’s an effort in part to gain mastery over their trauma by hoping they can change relationships with a similar pattern as that which initially hurt them.

Kana most likely got into acting in part due to her mother seeing her talent and wanting to validate her AND make money from her daughter’s talent, so Kana who ties her acting ability to her self-esteem, saw her mother as being the one who ensured that she got validation. But her mother emotionally abused her and abandoned her, resulting in Kana developing an anxious attachment in which she will look for a partner who will give her validation even if he isn’t attentive to her needs in general or will abandon her at some point just like her mother did.

Aqua giving Kana validation by putting a spotlight on her during the Sweet Today live action adaption made Aqua step into the role that her mother was in in that he was the one who recognized her talent and got her to shine. Even though she deep down knows that Aqua will not be good for her due to him being emotionally distant and not all that interested in acting, meaning there probably wouldn’t be too many opportunities for Aqua to put her in the spotlight given she deliberately avoids doing so after learning that people skills are more important to talent in the industry, showing that he’s the type who will trigger her trauma.

Many people with trauma such as this will focus on the person they want validation from, even if it goes against what they actually desire in their career. Kana’s primary focus may be her acting career, but she will be an idol for Aqua since it makes her feel needed by him since it’s for Aqua wanting his sister’s idol group to blossom. It is very common for people with an anxious attachment style to gravitate to a person with an avoidant attachment style like Aqua has even though the dynamic is toxic, but such is how things work.

Kana is incredibly well-written and is who I consider to be the best-written character in Oshi no Ko for being extremely consistent in the way she is written, and it should be the case that Akasaka either knows a person in real life much like Kana or he has read many stories from authors informed about trauma to depict her struggles so well in making her seem so much like a person from the real world. I applaud him for doing so well in making Oshi no Ko a compelling story with excellent characters such as Kana.

Analysis: Oshi no Ko’s portrayal of how the pursuit of revenge hurts those around you is brilliant and the possible implications of that for the story

Posted on February 5, 2026 | by anicritic | Leave a Comment

For me personally, the ugly and unpleasant can make for great content even if not the most enjoyable, and I found this to be outright one of the best episodes of Oshi no Ko after the appalling episode from last week. This episode shows very well how the death of a character can ruin the dynamics between a family due to the ensuing trauma and how one’s pursuit of revenge can negatively affect those around you.

Ichigo basically abandoned his wife and Strawberry Productions due to being heartbroken over Ai’s murder, and given he considered Ai his daughter of sorts, he probably blamed himself on some level for not preparing Ai for something like that given his knowledge of the industry. Now, he’s using Ruby as a foot soldier for his revenge even though it keeps her on a bad path, the daughter of the one he considered a daughter to him. Ichigo was fucked up by Ai’s murder just as much as anybody else, and seeing his nonchalant telling to Aqua that it was just a theory and nothing confirmed after Aqua started having a panic attack while he continues fishing, doing nothing meaningful to calm Aqua, the son of the one he considered his daughter, shows just how much he has changed with him not caring about his wife, Miyako, and showing zero care for the well-being of Ai’s children.

Aqua’s pursuit of revenge himself was what kickstarted Ruby going off the deep end since she realized that the reason Aqua had gotten back into the industry despite for years saying he had no further interest in acting was so that he could find Ai’s murderer after her realization that Gorou had also been murdered just as Ai was and that it was orchestrated by the same person. Viewers should recall that Gorou was the person most important to Sarina before she reincarnated as Ruby as he spent the most meaningful time with her with her parents not even bothering to visit her, so Aqua being on the path of revenge directly led to Ruby going on this path, and she doesn’t care who she has to hurt to get her revenge whereas Aqua had more apparent limits to the lengths he would go. I can even understand why Ruby reacted the way she has given she lost both Ai and Gorou, but Gorou’s death was truly painful for her given she had wondered for so long what had happened to him with Gorou being the biggest thing tying her to this world.

In turn this came back to hurt Aqua himself seeing Ruby become the way she is after he did so much to protect her innocence and how Ruby’s pursuit of revenge led to him encountering Ichigo again, which shattered his illusion about him no longer having to kill his father, who was revealed to be Hikaru in Episode 28. And of course, Aqua had a one-track mind for revenge since he was 4 until recently after Taiki wrongly concluded that their father had already killed himself.

As for Kana, I’m somewhat miffed that she’s getting major flack for not being in-tune with Aqua’s emotional state when he was unresponsive to her due to him spiraling. I’m tired of so many people only watching anime so that they can self-insert into the protagonist’s shoes due to watching anime mainly as an escape. Despite Aqua having a ton of trauma, Kana herself has major trauma from her mother abandoning her when her career stalled, making her develop an inferiority complex and an intense fear of abandonment, making her deeply crave validation even though she goes out of her way not to stand out due to realizing that raw talent is less important than people skills in the industry, which is being triggered by Aqua’s treatment of her, so I believe it’s ridiculous that people are bashing Kana despite Aqua deliberately avoiding her for months and then physically hitting her upon their first meeting in a long while. Kana, with her own trauma, of course reacted in the way she did since the way Aqua is outwardly presenting himself as not wanting anything to do with her, and flaming Kana ’cause she isn’t perfectly in-tune with Aqua’s emotions like Akane is is a failure in media literacy as Kana being a self-absorbed girl is not the takeaway Akasaka wanted viewers to have from that scene. Kana does not and has never known about Aqua’s issues, and she cannot read minds. Not everyone is into psychologically profiling people like Akane is as that’s actually quite rare. The main takeaway Akasaka wanted viewers to get from this is Aqua’s spiraling and how the pursuit of revenge is not a healthy way to live since it pushes people away, much like how he never really got all the close to Ruby since he was 4 all the way up until now, which is probably one reason Ruby even decided to go on the path of revenge ’cause she never developed a relationship with anybody as meaningful as the one she had with Gorou.

As far as the implications for Oshi no Ko’s story, after I had watched Season 2, I thought that Oshi no Ko would have a happy ending, but I believe Episode 28 dramatically increased the chances of the story having a dark ending with the reason I believe this being ’cause Ichigo didn’t also need to be looped into the revenge story, and since he was, what Akasaka may be going for is showing how people get fucked over by something such as Ai’s death, first shown through Aqua, and then Ruby, and now Ichigo too. Another reason I believe this is that I think if Aqua hadn’t lashed out at Kana, she of all people might’ve been able to calm him down since she is the one he fancies, but maybe Akasaka’s deliberately keeping Kana out of the revenge plot to ensure that Aqua completes his revenge against his Hikaru after all with the only one who could talk him out of it never being looped into things. Akasaka was perhaps friends with an idol who was murdered and knew somewhat of the fallout of that girl’s murder and wants to preach about how a life in pursuit of revenge ends up ruining many people’s lives. This would make sense for a mangaka since Japan has a significant mental health crisis, and someone actively working in the industry like Aka does would be in a position to highlight how this is perhaps magnified for fans of and those working in the in the Japanese entertainment industry with how many fans latch onto idols due to something they lack in their own lives and considering the pressures those working in that industry face. In any case, it was an outstanding episode despite the ugliness of what it depicted. I don’t know Oshi no Ko’s ending, but I know western anime fans hated it, and this could possibly be a case of media illiteracy or a lack of understanding on a serious issue in Japanese culture.

Theory: The Hero of the South in Sousou no Frieren may have planned his last stand against Schlacht the Omniscient and the Demon King’s Seven Sages of Destruction knowing of Schlacht’s future sight

Posted on January 23, 2026 | by anicritic | 2 Comments

For people familiar with Disney’s Marvel Cinematic Universe, Dr. Strange in Avengers: Infinity War looked through roughly 14 million futures and only saw one future in which the heroes defeated Thanos, so he specifically drove them to that future knowing that was likely the heroes’ only chance to save the universe from losing 50% of its population.

Where I’m going with this is Sousou no Frieren Episode 30 or Season 2 Episode 2 introduced a character known as the Hero of the South who had been previously namedropped in Season 1. This hero used his future sight to inflict considerable damage to the Demon King’s frontline forces and ultimately defeat Schlacht the Omniscient along with three of the Demon King’s Seven Sages of Destruction in a battle with just him against those elite forces of the Demon King. The reason I say he planned his last stand is that he said that even if Frieren had joined him in that upcoming battle that they still wouldn’t have been able to prevent his death. This shows that the Hero of the South could see the various paths and actions he could follow and take and the future that ensues from them. Therefore, if his power is of that nature, Schlacht’s power may have also been just as powerful, especially given Schlacht was thought to be omniscient.

Furthermore, perhaps futures the Hero of the South and Schlacht had previously seen could change due to the influence of the other party, which would’ve been very frustrating for the both of them, and if that had indeed been the case, both of them may have concluded that the best path forward for both humanity and for demonkind respectively would be to have the other killed. If that is the case, the Hero of the South going into battle on his own against Schlacht and the Demon King’s Seven Sages of Destruction may have been the best-case scenario for both humanity and demonkind with the Demon King eventually being defeated by Himmel’s party, a huge win for humanity, and demonkind surviving complete eradication, a win for the demons as well.

If you thought I had concluded my post with that thought, I haven’t as I still have something to bring up based on a past theory I came up when I was watching the first season of Frieren. Heiter said early into Season 1 before Frieren started her current journey with Fern and Stark that if there was actually a spell to bring back the dead that everybody would know it. Frieren then stated later that humanity learning how to fly was a more recent development by adapting the demonic spell for flight for their own use. So it may be the case that the spell to bring back the dead may just not be known yet, but one day a demon will invent it. We already had one demon, Aura, control the dead with her power, so reviving the dead would be one step up from that with one perhaps needing the original soul to be present for a resurrection to take place which would make Aureole relevant. It’s suspicious that the Demon King’s Castle was also in close proximity to Aureole, the place where people can meet with the souls of the dead, possibly suggesting that the demons themselves may have done research on Aureole.

Perhaps the final arc in Sousou no Frieren will involve a demon inventing a spell to resurrect the dead, allowing for him/her to bring back all the powerful demons of antiquity, including the previous Demon King, necessitating for the true Hero to draw out the Hero’s Sword, which Himmel was unable to do even though it was one of his long-term goals. Even with that power, the true Hero would need a strong group himself, and perhaps Frieren engages the demon that invented the spell that resurrects the dead, and she resurrects Himmel after adapting the spell from that demon to help the true Hero who draws out the Hero’s Sword defeat the demons. Then Frieren and Himmel can live happily ever after if Himmel is still alive after the conflict.

On the other hand, I can see a major criticism of this theory being that true resurrections of the dead would undermine the themes of the story about treasuring the people you care about while they’re still alive, so maybe instead of a demon inventing a spell that truly resurrects the dead, what it’d invent is a spell to reanimate the dead under the user’s control, making those brought back the undead. I guess this would better jive with the themes of Sousou no Frieren’s story. I’m partial to powerful demons of the past being brought back in some way given the Demon King’s Castle and Aureole both being located in Ende, the northernmost part of the continent, and I doubt this proximity the two locations have to each other is a coincidence.

A trauma-informed analysis on why Aqua likes Kana in Oshi no Ko and Aqua’s true feelings about him acting

Posted on January 22, 2026 | by anicritic | Leave a Comment

For those for whom it wasn’t clear that Aqua likes Kana, Akane, who Akasaka uses as the voice of reason in Oshi no Ko, pretty much outright stated in Episode 26 that that is the case. This is not to say that Akane has no chance in the end, but I’m just sharing why it very much makes sense that Aqua currently likes Kana.

Aqua slowly growing to like Kana was built up on early in the series and was literally intentional. Yes, Aqua did state that he wanted to kill Kana back when they were small kids ’cause of how insufferable she was, but fixating on that one line to try to suggest that he doesn’t like Kana was blatantly disregarding what the story was actually telling.

Just note how Gotanda took note of the difference between Aqua’s reactions to Kana and Akane wanting to see his childhood acting. Although Gotanda didn’t draw any conclusions from what he observed, one reason for the contrast in Aqua’s reactions was to show that as much as Aqua likes to put out that he doesn’t enjoy acting or want to be in the industry, he was still self-conscious enough to not want Kana to see his childhood acting. If he truly didn’t give care even an iota about acting, he also wouldn’t have cared if Kana had seen it or perhaps reluctantly allowed her to see it eventually if he didn’t have any expectations of his abilities. Yes, I know he was a long-time fan of Kana at that point, which contributed to his decision to not allow her to see it, but he wouldn’t have denied Kana seeing his childhood acting so pointedly if he didn’t care at all.

Thus, I believe whether it’s due to being born as Ai’s son or ’cause Ai literally said that she wanted Aqua to be an actor, Aqua does genuinely have some level of desire to be in the Japanese entertainment industry beyond wanting to use the industry as a means of getting revenge on his father.

As much as Aqua talked about his lack of intention to continue in the industry given how he failed Gotanda, who gave him multiple opportunities repeatedly, I believe Kana sharing how she was encouraged that Aqua was also struggling along with her in a world shrouded in darkness and how she personally likes his acting as it feels like that of someone who’s put in the work for a long time with him using techniques that are considerate and meticulous validated Aqua wanting to be an actor, whether subconsciously or consciously, at the direction of his mother, Ai. Although some people may dismiss that scene as only about Kana feeling kinship with Aqua, I believe her words did resonate with him on some level as Ai was a huge influence on him back when she was still alive and even after, meaning deep-down he hoped to hear someone affirm that he had acting chops, and since he followed Kana’s career from childhood, her words meant a lot to him even if part of the reason she said what she did was ’cause of what she learned from childhood that people skills are in a way more important than raw talent in the industry.

As someone who has experienced trauma, I know for a fact that a substantial number of people are drawn to people who activate their trauma, not ’cause of a desire to hurt themselves but due to a subconscious attempt to resolve past traumas, which is what leads them to seek a familiar situation, and I know this because I myself like someone who activates my trauma, so I speak from experience. In asking Kana to join his sister’s idol group, he inadvertently created a situation that reactivated his trauma once Akane put it into his mind what could happen to Kana, and whether it be to due to his subconscious influencing him to seek a familiar situation in making that request of Kana or ’cause he saw how accommodating of a person Kana was for the Sweet Today project, which made Kana the perfect person for him to rely on to take care of his sister, Ruby, the situation that eventually ensued with Aqua avoiding Kana in fear of her being killed was a very natural progression of events for people who understand how trauma can affect a person.

And furthermore, another reason Kana is an easy person for Aqua to fall for is she had something more going for her than someone like Akane in that Aqua spent time with Kana in early childhood, and Kana is thus somewhat of a reminder of what things were like back before Ai was murdered and when Ai had wanted him to pursue acting. Hell, Kana herself having expectations of his acting is like a continuation of Ai having expectations him, which increases the sense of familiarity of the situation. Even though his life was thrown upside down after Ai was murdered, he did have a loving mother who genuinely wished the best for him, and that film he was in with Kana was Aqua’s shining moment in the industry for a long time. Kana may have been intolerable as a young child, but she actually has people skills now to iron out her worst qualities, and Aqua still likes the dynamic he has with her casually roasting him due to that past meeting. As much as Akane supports Aqua emotionally and how she’s the one Aqua has shared his issues with, and how she’s the one who improved his acting, he still likes Kana at the moment and that development is rooted in real-world experiences with trauma survivors often being drawn to certain familiar situations.

A Re:Zero Theory: The Divine Dragon is on the side of multiple characters from 400 years ago, which includes Satella, Flugel, and Echidna

Posted on October 25, 2025 | by anicritic | Leave a Comment

We’ve seen repeatedly through Re:Zero that many characters are acting with future knowledge or at least what they think is future knowledge, such as Satella with her setting Subaru’s savepoints, especially in light of Episode 13’s savepoint, which had extremely intentional timing, Roswaal with his not-quite-Tome of Wisdom, Echidna with her real Tome of Wisdom given how she set up Puck perfectly to be Emilia’s protector all while having lost his memories so that he wouldn’t recognize Roswaal as being the one he knew 400 years ago, which was crucial to the story in many ways, Petelgeuse having been implied to have promised Flugel not to take in the Sloth Witch Factor only to break that promise to protect the love of his life and Emilia, paralleling how Echidna deterred Puck from entering a contract with Emilia until there was no other choice, and with Witch cultists and their Gospels. The central question is what is the purpose for all of these characters having the knowledge they do or think they do?

Why I believe some of these texts, such as Roswaal’s not-quite-Tome of Wisdom and Witch cultists’ Gospels, only delude their holders into thinking they provide actual future knowledge is due to the end result of some of the actions taken in the story so far, current up until the end of Season 3. We know Roswaal’s goal was to resurrect his dear teacher, Echidna, but I question whether the not-quite-Tome of Wisdom really was supposed to help him achieve that given the absence of Otto from its pages as a true future-telling text shouldn’t have that problem and should be able to account for everyone in the world, meaning Otto was excluded ’cause the source of the knowledge intended for that to happen. We know the tea party Echidna still had her Authority: Tome of Wisdom given her Sanctuary trials could fully replicate the past and show glimpses of possible futures, showing it truly was an extremely powerful Authority that could read the history of the world, so the not-quite-Tome of Wisdom, if it really was based on the genuine article, shouldn’t have a problem with missing all the actions of a particular individual from its predictions, so that suggests Roswaal was basically strung along by a book to set up the story of Re:Zero with Subaru meeting Emilia and saving her and leading him down the path that he took to defeat Petelgeuse and sacrifice nobody in the Sanctuary Arc and allowing the tea party Echidna to revive herself given she spoke in Ryuzu Shima’s body in Episode 48. Thus, perhaps the source of the not-quite-Tome of Wisdom’s knowledge is Echidna herself with her Authority, and she just makes whatever she wants to appear in the text due to a connection to her mind with her Authority’s guidance. I’ll delve more into why this may be important after the next item on the agenda, which is the Witch Cult Gospels, the apparently defective copies of the not-quite-Tome of Wisdom..

I’ve always found the Witch Cult Gospels to be suspicious given how apparently no one can read them aside from the holder of an individual Gospel, which, on the surface, could be a good way of preventing any faction opposing the Witch Cult from learning about how the cult works, but based on what I observed of Season 3, I believe Gospels aren’t even intended to bring their holders to their desired future, much as is the case I proposed with the not-quite-Tome of Wisdom. I challenge you to think about a very important detail from Season 3 in that Regulus Corneas said in Episode 3 that Subaru should thank him for adhering to his Gospel when he only did heavy damage to Subaru’s leg and nothing else. If the Gospels are meant to bring their holders to their desired future, which in this case was Regulus making Emilia his wife, there shouldn’t be an order to limit casualties as that does nothing but play into Subaru’s hands. Since Subaru and the crowd was under the effect of Sirius’s Authority, everyone connected to Sirius took the same damage to their legs that Subaru received, forcing Beatrice to expend all her mana to heal everybody so that they wouldn’t be in critical condition, resulting in Beatrice ending up in a state of suspended animation similar to Rem. This suggests that Regulus Gospel’s main purpose in that scene was to put Beatrice in suspended animation so that Aldebaran would give her a healing crystal later, waking her up just in time to have Beatrice join the fight against Lye Batenkaitos close to the end of the arc. Of course I need not remind you of Capella’s retreat as ordained by her Gospel when she probably would’ve been able to kill one of Felix or whoever this Anastasia is before Reinhard arrived since Aldebaran is hardly some amazing fighter that can handle all the Demi-Beasts and Capella at the same time. Thus, Witch Cult Gospels likely aren’t future-telling texts either or defective for the matter but also texts connected to Echidna’s mind since the not-quite-Tome of Wisdom was their prototype, meaning they likely were made at least partially by the same materials, which may have been pieces of Echidna’s hair, fingernails or body fluids, which would be how the connection to Echidna’s mind I have proposed would be established.

I have long believed that multiple characters from 400 years ago, including Satella, Echidna, and Flugel, are pushing Subaru to end the cycle of the world being constantly destroyed and reconstructed, which was alluded to by Melakuera, who said that he faced world-ending crises countless times since the only way Melakuera’s words can actually be right is if in the world is constantly getting destroyed, and now I posit that the Divine Dragon is also one of the characters in on this plot. I have always found it suspicious that Subaru arrived in the world after Lugunica’s Royal Family had perished, setting up the perfect conditions for him to meet Emilia and for Reinhard discover that Felt was the final Royal Selection candidate, and the Divine Dragon and the other characters from 400 years ago may have planned out this scenario centuries ago. How this theory could be tested is if the Divine Dragon shows any hint of having future knowledge in the future, which would make such collusion between different characters possible and have a wide-reaching impact through Roswaal’s not-quite-Tome of Wisdom and the Witch Cult Gospels for the last 400 years.

A Re:Zero Theory: Echidna is possibly lurking near the Emilia camp, and if not the Emilia camp, Roswaal himself due to a line in Emilia’s 3rd Sanctuary trial

Posted on October 10, 2025 | by anicritic | Leave a Comment

Emilia said in Episode 48, “Who is this? This should be Echidna’s grave…” ’cause she didn’t recognize the corpse, which was that of an older woman compared to the Echidna seen in the Sanctuary trials. Roswaal and Beatrice, however, recognized the corpse as their teacher/mother, showing that the Echidna in the Sanctuary trials and tea parties was not the same as the one Roswaal and Beatrice knew, showing that Echidna had previously cut off a piece of her soul when she was younger, which would explain the presence of the younger Echidna in the tea parties. Episode 50 confirmed this with a small animation of the older Echidna Roswaal and Beatrice knew whose face was closer to that of the corpse.

We know from Season 2 the Echidna from the tea parties had been able to place her soul into Ryuzu Shima, which is how Echidna spoke in her own voice after Emilia’s remark about saving the original Ryuzu Meyer got Echidna annoyed, which caused her to break her act momentarily, allowing for viewers to hear Echidna’s voice through Ryuzu Shima’s body, showing that Echidna’s immortality project had succeeded and that she created at least one soul clone, so it’s not out of the question that the Echidna Roswaal understood to be his teacher may also have been revived at one point. The Echidna Roswaal knew to be his teacher also may not have even been the original Echidna, but she is the one he long sought.

In Episode 48 of Re:Zero, one of the lines from the possible futures Emilia could face had Roswaal say, “I made the realization that I have not walked alone all this time. That is all.” For Roswaal, whose single goal that has kept him alive these past four hundred years is to bring back his teacher, it suggests that there’s an Echidna, not just any Echidna, but his original teacher, who is lurking near the Emilia camp, and if not the Emilia camp, then Roswaal himself, given he would never speak like that in reference to anyone else. What he spoke of suggests a physical closeness to Echidna that made him come upon a happy realization, and I wonder who in the cast could be her vessel or whether it’s someone not yet revealed.