Re:Zero Scene Analysis: In defence of Ram, given how passionate oni/demons are, I see how she found Subaru forgetting Rem unacceptable given she was counting on him to restore her

As can be seen with both Roswaal and Rem, Ram was very passionate about her love for the pair in wanting to bring Roswaal his underwear and in making sure Rem gets less work and gets validation from others. Rem herself falling so hard for Subaru and having previously done so much to be a stand-in for Ram due to having thought of how it’s great that Ram lost her horn also supports this read of oni/demons feeling great passion for what’s important to them.

As such, since it was revealed in a Break Time segment that Roswaal was no longer allowing Ram to bring him his underwear, after she revealed she loves him, more of her passion was directed to Rem, who shares the same oni blood in her veins as she did and could feel something was amiss in her life as Julius did when he fought Roy Alphard, leading to her reacting angrily to amnesiac Subaru saying that he’d lost his memories since she felt a sense of powerless due to not having memories of her and also ’cause her relationship with Roswaal wasn’t as great as it used to be, which increased the baseline stress she felt.

To Ram’s knowledge, Subaru’s the only one who remembered Rem and was her anchor to her sister, and given Rem’s contributions in Arc 2 and 3 were erased, and everything Rem had had prior to that was forgotten by her, of course Ram would flip out since Subaru was Rem’s greatest champion. To Ram, Subaru forgetting Rem is like having Rem’s greatest hope disappear, which she was personally hurt by as well as feeling hurt in place of Rem since she can’t feel anything right now and given the saying on how you only die when the world forgets you even if I believe that Foxidna remembers Rem since she’s given hints that she remembers Julius.

In a sense, Ram also kind of glazed Subaru hard in that scene since it showed she thought that if there’s one person in the world who would never forget Rem, it was Subaru, and that was part of the reason she reacted as strongly as she did given he had charged at her to attack her, so I believe this makes her reaction more justifiable given she thought that it was a possible imposter instead of the real Subaru.

I’m not saying people can’t dislike or hate Ram, but Tappei intends for his audience to see the perspectives of all the characters in his series, not just Subaru’s. Self-inserting into Subaru to mald against those who’ve hurt Subaru physically just hurts one’s ability to comprehend and enjoy the story as Tappei intended, which is to treat it as a serious work and not like generic male power fantasy isekai series and see how flawed characters would react and struggle much like everyday people do.

Character Analysis: Elsa Granhiert was more than just a bloodthirsty killer but also a sister in some sense

While I guess Season 1 might make one think of Elsa as being nothing but a vicious predator, Season 2 had Elsa deliberately save Meili, her little sister figure, and Elsa revealed in Episode 48 that owing to her having been abandoned as a child, she came to love disemboweling people when she’d nearly gotten sexually assaulted in Gusteko with its very cold climate that both served to ensure that she didn’t think about things such as living well or being happy while potentially numbing her emotions due to your body doing what it can to preserve heat and served to alter the regulation of serotonin and endorphins in her body, so when she killed for the first time and felt the warmth of blood and innards, she thought to herself that if there’s happiness in the world it’s the warmth that makes one forget the cold, in essence sharing how she became the Bowel Hunter. Maybe this was a twisted happiness, but her horrible life up until that point is what resulted in her becoming what she was, and Re:Zero has a big emphasis on nurture versus nature.

But the Bowel Hunter isn’t all Elsa is as she was kind to Meili when she taught her how to be civil, allowing Meili to bite into her without retaliating against her, and while it may have been on Capella’s orders, I believe Elsa felt for Meili on some level due to them having both been abandoned as children. I believe Episode 76 showed that Elsa wanted more for Meili than just being a killer as she said that for anyone other herself, no number of lives would be enough, implying that if Meili took on enough jobs she’d eventually find a job too tough for her, showing very much that Elsa cared about her well-being, which is why she told Meili not to be Capella’s puppet, and they were very much sisters as Garfiel had called them in the relevant episode. Elsa also protected Meili when part of the ceiling was about to fall on her, and Elsa stopped her assault on Garf when she’d been in a winning position, so she definitely cared about Meili and wanted her to live on to put herself in such a bad position with a reset of sorts when she’d otherwise have won against Garfiel.

Elsa and Meili was also shown having a sisterly relationship in the Re:Zero Break Time Season 2 shorts, and given one of them pointedly had Elsa talk about how she hates Subaru’s eyes ’cause they show that he believes that death isn’t the end for him, Elsa may have alluded to this in some way between the end of Arc 2 and the end of Arc 3 or even between the start of Season 2 and before the pair began their duties later, leading to Meili having a curiosity about Subaru dying, which may partially be why Meili mused about whether a Book of the Dead would spawn if Subaru were to drop dead in Episode 71. I believe that Break Time content actually shows that Elsa values life on some level given her hatred for Subaru’s eyes, which demonstrates that she believes that you should live life to your fullest, whereas at that point in the story in Season 2, Subaru had been treating his life as disposable and a means to an end, and it’d also be why she treated Meili well, highlighting that she’s not just some monster even if she developed an unhealthy fixation on blood and innards.

I don’t believe Meili really would feel sad about Elsa, which is why she was the most likely candidate for having pushed amnesiac Subaru to his death twice, and look at him in anger during the recollection of her life when her Book of the Dead had been being read while tiptoeing in anticipation of killing him, if she had never once thought Elsa had ever genuinely cared for her, showing Meili felt shame about being caught caring, frustration over caring at all, and anger towards Subaru since she was indeed sad, and given she had never really properly processed her emotions aside from killing what stood in her way, of course it likely ended up in her desiring to kill amnesiac Subaru since he was no longer her big brother figure but the one who killed her big sister figure, who she had affection for.

Re:Zero Episode 72 (Season 4 Episode 6) – Analysis + Important Details

I’m just going to let readers know ahead of time that this write-up will be different than most of what I’ve done before since the bulk of the episode is dedicated to one character, so it’s only fitting the crux of my post is a complete character analysis of Julius across four seasons. Any other miscellaneous points will be dumped at the end of the post. I love when previous episodes properly build up to something, which is why Episode 29, Parent and Child, is still my favourite episode of the series since it used the build-up from Episodes 7 and 13 to outright confirm just what the entirety of Subaru’s issues of self-worth involved, and this episode was similarly a long time coming with all of the foreshadowing.

What I realized after this episode after seeing the brief flashback with child Reinhard and child Julius is that Julius’s mantle of being the most knightly of knights is a mask he puts on due to feeling inferior to Reinhard, which is why this episode flashed back to child Reinhard easily defeating Julius’s swordplay instructor. This is also why Julius insisted on being called Juli when he and Subaru met again, both ’cause he subconsciously wanted a break from being Julius the most knightly of knights due to having had to do things he detested as a knight in beating Subaru even though he wouldn’t like to have if the circumstances had been different and not speaking out about so many people smearing Emilia during the initiation of the Royal Selection, not just ’cause it was unbecoming of a knight to take on the role of a mercenary, and ’cause he may have thought Subaru would react better to him if he did that even though Subaru ultimately didn’t at the time since he found it to be annoying roleplaying.

This is why Julius said in Season 3 that he was extremely angry at what Heinkel did and wished he could have done what Subaru did, which was yell at Heinkel since everybody was mad at that bumbling oaf but didn’t dare say anything ’cause of Heinkel’s rank as he saw proper decorum as being a liability in that moment with Subaru’s outburst allowing everybody to stay calm. This is why Julius kind of saw the light when Subaru told him to be Juli more since the mask he puts on is very much a burden to him with him realizing how much brighter the light out is when he first decided to be Juli ’cause Subaru was right about how having more flexibility would help him out in more situations rather than being so rigid with closing off his heart.

People who are less discerning when consuming media or have a very rigid worldview saw Episode 51 (Season 3 Episode 1) of Re:Zero as lowering Re:Zero to that of being like standard isekai slop, which is straight up incorrect, and I will call it as I see fit. Julius himself said that sometimes Subaru’s imprudence is useful on certain occasions, showing he understands the ugliness of Subaru’s actions, but nonetheless, he saw Heinkel turning what was an otherwise orderly gathering between people who respected each other with a reconciliation between Wilhelm and Reinhard being near given they were acting at least somewhat warmly to each other for possibly the first time since Theresia, his mother, had died, into a dumpster fire was disgraceful, and that’s why Julius thanked Subaru for his righteous indignation, not ’cause he was trying to put out there that every time Subaru has an outburst that it’s a good thing, but basic media literacy is dying off quickly in this day and age, partially due to kids and adults alike being glued to slop from their phones, resulting people in being unable to remember things said on screen a few minutes ago due to acting mostly on emotion and wanting immediate gratification.

Julius saw some of himself in Subaru in Episode 13, only Subaru chose a different path than he did, and even if he recognizes that what Subaru did was quite ugly and doesn’t condone all of what he did, which is why he took multiple shots at Subaru’s behaviour, saying that it can reflect badly on those around him, some people, such as Julius, feel a sense of awe or kinship with those who allow you to see a different approach to life. He saw Subaru as being someone rough around the edges but still fundamentally a good person even in spite of Subaru’s flaws, and that’s why he was calling Subaru a friend after the White Whale fight.

The reason Julius deliberately challenged Subaru to a duel ’cause he knew one of the knights or multiple of them would probably attempt to execute Subaru for insinuating that they inherited their status as knights from their families, and Julius saw that as being an injustice that must not be allowed to happen given he knows that Emilia is a good person and since he himself doesn’t discriminate against demihumans as seen by how he did a curtsy to kiss her in Episode 12, which is typical for someone to do for a woman of higher status, and nobody in Anastasia’s camp is allowed to think of demihumans as lesser. So of course he shared those same values and took to Subaru to an extent after the latter said that he chooses to stand by Emilia’s side ’cause she’s special, and Julius acknowledged those feelings given his own feelings for Anastasia. This is backed by how in Season 2 Subaru’s second Sanctuary trial had Julius saying, “I wanted to call you a friend.” since he ultimately sees that both he and Subaru want to fight against the injustices of the world.

As for the Kingdom of Lugunica itself, Julius knows that it’s far from a utopia given he acknowledged to Subaru that the White Whale was left unchecked for too long, which is why he thanked Subaru from the bottom of his heart for ensuring it was defeated in Episode 22. He most likely personally believed that the job should’ve been carried out much sooner and that that too was an injustice, which is why he was so keen on mending fences with Subaru since Subaru took action to make that happen when the kingdom would probably have kept dillydallying.

Basically, since Julius can’t be the strongest, he used the mask of the most knightly/courtly knight since that was something he could realistically aspire to, and now that most people don’t remember him he doesn’t have that anymore, which is why he took to heart Subaru saying that his humiliation is a testament to Julius’s strength and why he’s so adamant about proving his strength, mirroring Arc 3 Subaru to an extent.

This is backed by how Julius thought back to being made Anastasia’s personal knight in Episode 72 and defeating Petelgeuse, which he considered badges of honour that validated his self-worth. I believe even Julius saying, “I am the Kingdom’s sword that will slay you.” was also potentially signifying his insecurities about being inferior to Reinhard while also signifying kinship with Reinhard with it not being just a cool line for a knight to say but something Julius said to mean he’d be the weapon of the Kingdom that slays Petelgeuse, much like how Reinhard is first and foremost thought of as weapon of the kingdom before he is a person. Thus, it both signified that he was stepping into that role and that it was something he very much relished doing. The flashback to Petelgeuse was followed by a shot of Emilia, who Subaru had indicated passed Reid’s exam, and then to Subaru, who remembers him, intermixed with shots of him being frustrated about his current predicament after becoming a Gluttony victim, before finally remembering Subaru saying that his humiliation is a testament to Julius’s strength and then finally hearing Subaru call out to him, which was showing to viewers that Julius was going through much of the same thing Subaru was going through in Arc 3 and that Subaru rushing toward Julius was to stop him from having something worse happen to him, much like how Julius beat down Subaru in that arc to prevent worse happening to him, which is backed by how Subaru remarking that he hopes Julius isn’t too feeling too down since he’s realized that Julius also has self-worth issues from the talks he’s had with him, like during the scene he mentioned that his humiliation is a testament to Julius’s strength and his talk about the situation regarding Julius’s spirits when he said that Subaru is currently the one who knows him best.

There’s even a bit of a Subaru Season 2/Arc 4 parallel in that after Subaru lost Rem, who was his main pillar of support, to Gluttony, he saw no value in himself aside from Return by Death ’cause of the transactional nature of the events of Arc 3 that allowed him to win given the main point of Arc 3 for Subaru was to see that others have their own wants and goals, and how that applied to Julius is that since his reputation as being the most knightly of knights was gone due to the masses forgetting him, which was his big loss, he would use the only tool he believed he had at his disposal, which is his sword skills, to prove his worth given he believed that he had nothing else left that could validate him as a person, although it’s not a 100% parallel since Subaru was struggling due to him taking on the role as Rem’s hero only to lose Rem, resulting in him losing the mask he put on, and Julius right now is struggling ’cause of all the self-worth issues he had in the past, which have been exacerbated by the world forgetting him, as well as trying to live up to the ideal of being the strong knight Subaru believes he is, so the difference ultimately lies in his emotional support ultimately being an able-bodied person right now.

And that’s why Subaru and Julius’s voice-acting during the stairs scene, the direction overall, the effects regarding the footsteps, as well as the silence and tone of melancholy as Julius struggled, followed by Subaru seeing just how much Julius’s current situation reminded him of what he went through, allowing for him to comfort Julius and for the pair to grow closer made for a fantastic viewing experience.

I believe Julius’s character arc this season will almost certainly involve not clinging to his identity as the most knightly of knights since Reid was having the most fun with him when Julius tried to kick him instead of using just the sword, showing that Tappei very much intends for Julius to embrace Juli to finally overcome Reid. Julius can very much stay true to his character and fight against injustice without needing to stay fixated on chivalry and fighting with knightly honour, which would get him to be more on Wilhelm’s speed, who said in Episode 22 that chivalry was becoming a thing of the past. Tappei has plotted out Julius’s character arc so well from the beginning in making him a foil to Subaru, and he’s an amazingly well-written character. If I can make even one person realize how great of a character Julius is with this post, I will consider it mission accomplished.

Now for the stuff on the periphery, this episode provides further proof of Foxidna remembering Julius with how she aggressively used Jiwald to try to defend Julius when he was fighting Reid. Someone who barely knows him wouldn’t go to such lengths, and Subaru even pondered about why she’d go to such lengths, which means Tappei intended for viewers to think hard about that detail. After Episode 67 with Foxidna putting it out there that Reinhard and Felix were more than just friends to Julius and her general gaze at Julius along with her look of discomfort in Episode 70 when Shaula was shattering Julius’s fantasy about Reid Astrea being a man of great character ’cause of his sword skills when nobody else was paying him any heed, showing she knows that Reid had been Julius’s idol since childhood, there is a clear pattern of Foxidna showing a level of connection with Julius no one else in the group has, not even Subaru.

A line from Episode 48 (Season 2 Episode 23) depicting a possible future had Julius remarking about how he’d bent his knees and lost even his sword, pondering what he even had left, which could’ve been a future in which Reid forced Julius to yield to him, stripping him of all his dignity, and given Julius was thinking his sword skills were all he had left, implying he may have been borderline suicidal, this could suggest that Foxidna, again, as I have speculated has the Authority of Greed: Tome of Wisdom that I have posited she has like the original Echidna and Tea Party Echidna did, which is why she suggested to Subaru to take Rem with him to the Pleiades Watchtower and why she forced Shaula to reveal her hidden rules/orders for protecting the tower, the reason being she’s invested in Subaru’s success as the Hero of the story and also didn’t want to see Julius be reduced to a hollow shell of himself with nothing to live for, preventing that future from happening, meaning that her spamming of Jiwald was to deliberately signal to Subaru to think hard about why she’d do that instead of thinking of how to overcome the exam for the entire group, leading to his thoughts drifting to Julius instead of the mission of passing the exam even though Ram wanted him to focus on the exam given Subaru is somebody who follows his instincts and hunches as shown by Episodes 69 and 70.

As I have stated in the past, I believe the reason Satella knows what savepoints to choose for Subaru is that she has a soul link with Echidna, whose Authority allows for her to see into the future, meaning they are close collaborators and that Echidna is also observing Subaru, which would make her statement that she was watching Subaru every step of the way on his journey a true statement, and I believe Foxidna much like Tea Party Echidna has the Authority of Greed: Tome of Wisdom, so she was attempting to advance Subaru to a point in which Satella could update his savepoint to a point favourable for him to succeed, which would be sometime after Subaru has gone down the stairs with Julius. I believe Foxidna acting like she doesn’t know how Anastasia acts in Re:Zero Break Time Season 4 Episode 6 was meant to take away Julius’s sense of pride of being Anastasia’s personal knight and push him into starting a second duel against Reid due to him feeling he lost even that role as her knight, making him feel isolated much like Roswaal would isolate Emilia by making it snow in the Sanctuary Arc in addition to summoning the Great Rabbit. As for a link to the short, here it is: https://www.youtube.com/watch?v=G8DLpvo_4cc

As for Emilia, it was smart of her to appeal to Reid’s ego and get him to agree to passing her if she can make him move a single step. Reid seemed to really appreciate her appealing to him like this and relented, saying that she’s the biggest idiot he’s met since Trisha, who is likely to be a character from four hundred years ago although it remains to be seen how long it’ll take for Trisha to be relevant since it took until Season 4 for more information to be revealed about Flügel. To sum it up, Reid lost ’cause he decided to cop a feel on Emilia’s boobs with his chopsticks, and she didn’t even realize that she had been sexually assaulted, probably ’cause the person responsible for her education, Roswaal, doesn’t care to teach her about that. Of course, the episode wasn’t condoning sexual assault given Subaru’s reaction and how the series has previously tried to humanize Elsa by depicting her as having become a cold-blooded killer when she was close to getting sexually assaulted, so anyone who says otherwise is incorrect. Of course, Reid wasn’t satisfied with letting them all pass if Emilia beat him, and everyone aside from Rem will also have to do it since the seven people Reid referred to are Subaru, Beatrice, Emilia, Ram, Julius, Anastasia, and Meili, which is a real predicament.

The group heads back to a lower floor due to not being up for that task, and Ram revealed that there is one person in each nation that can claim to be the strongest with Cecilus Segmunt the Blue Lightning, Divine General from the Empire of Vollachia, the Mad Prince from the Holy Kingdom of Gusteko, and from Halibel the Admirer from the City-States of Kararagi, but none of them fit the description of the stick swinger ’cause they had forgotten Shaula’s nickname for him and don’t know anything about him aside from his wearing Kararagi folk clothes and being skilled with chopsticks, and Shaula reveals that it’s Reid after Subaru gives her a description not long after she has woken from her sleep due to having fallen unconscious due to intense fear ’cause of Reid being a sexual predator. Subaru wanted to ask Julius what he knew of Reid, but Julius had already headed out for a second bout with Reid after having been healed in the same room Rem and Patrasche were in.

Subaru of course was reminded of himself with the way Julius was acting in that he didn’t want Subaru to carry him down the stairs and was straight up iterated that he doesn’t desire for help from him since Subaru was acting out hard at the start of the White Whale and Petelgeuse arc ’cause the world was making him feel small and insignificant, leading to him behaving as if he was more important than he really was due to both an inferiority complex stemming from comparisons with his father, Kenichi, and a fear of abandonment from childhood, and showing his growth Subaru supported Julius the best way he could by not going against his desire to not be carried by lending him his shoulder instead, saying that he doesn’t need to act tough since he knows from experience that Julius shouldn’t be walking down the stairs, implying he knows how alone Julius feels.

A trauma-informed analysis: How Episode 30 of Oshi Ko portrays the brilliance of Arima Kana and her resilience in the early stages of overcoming her trauma

After all the negative thoughts Kana thought this episode after the reporter confronted her, when she thought of letting everyone involved with B-Komachi down after losing the guy, her thoughts on what the haters and online mob would say, and finally at the spot where Aqua found solace in Kana while playing a game of catch, Kana decided that she wouldn’t be a damsel in distress who turns to a guy, namely Aqua, for help only when she needs it, and that she didn’t become an idol only for Aqua but as a means to stay in the industry, and it’s brilliant for depicting a character in the early stages of overcoming her trauma.

This is significant as for much of Kana’s life, she turned to her mother for validation, which isn’t wrong as everyone needs validation to some extent growing up to develop normally, but Kana’s mother emotionally abusing Kana due to her popularity declining with the end result being that she abandoned Kana led to her daughter developing a huge inferiority complex as well as having abandonment issues. This is why Kana deciding that she doesn’t need to be saved by Aqua is an important moment for her.

Growing up, Kana’s acting career likely wouldn’t have started without her mom’s approval, so as a child growing up, Kana counted on her mother for validation and saw her mother as being the one to allow her to shine. When this arrangement ended, it was obviously a huge blow to her self-esteem, which led to the issues she currently has, and that’s why she fell head over heals in love with Aqua since he basically set her up to shine the Sweet Today live-action adaptation by increasing the level of acting from Melt and bringing about a high enough level of acting for Kana to deliver high-caliber acting, and in that moment, Aqua in a way stepped into the role Kana’s mother was in as the one who’d give Kana the feeling of validation she needed as she perceived him to be the one who saw her true talent, not Kaburagi Masaya, who only used Kana’s name recognition as a draw to promote male models. People with trauma often gravitate to people who will reactivate their trauma, and given Aqua is an emotionally distant person, the odds of him doing something similar to what her mother did to Kana was possible, and Aqua himself was drawn to Kana in a sense ’cause his self-conscious was also trying to recreate a familar situation with Kana becoming an idol much like his mother was, so the dynamic Kana and Aqua had was in a way toxic even despite what they feel for the other, so I’m glad there’s a bit of decoupling here regardless of whether it lasts.

This is why Aqua ghosting Kana for a year led to Kana being in such a poor headspace since she had a strong irrational emotional attachment to him and could only see that Aqua must hate her given he told her to shut up and struck her, not being able to see Aqua’s distress since her internal image of Aqua was the one who’d validate her for her talent like her mother used to, and seeing him act that way reactivated all of her trauma, leading to her asking whether he hates her even if Aqua was in poor shape himself. It’s not ’cause Kana’s a bad person who’s incapable of seeing that Aqua was not well as she likely concluded he was unwell, and that’s why she got out of the vehicle, but when someone’s trauma is reactivated, their mind shuts down, which much of the time leads to them being unable to think about anything else aside from their trauma. I know this as someone who’s had trauma and ’cause I know someone who gets triggered so often by his trauma. Kana still has a fierce desire to stay in the industry after all this time even after living by herself all these years, and that’s why she was so easily fooled by Mako, who gave a tip to the reporter about Kana being at Shima’s place, which is how the reporter knew there was nobody else at Shima’s place aside from Kana, and it was ’cause she was so desperate at the time ’cause of her source of validation was gone.

As a disclaimer, I am in no way saying that Kana is over Aqua now as I’m sure we’ll find out, maybe even in the coming weeks, that she isn’t, but Kana deciding not to rely on Aqua in her time of despair shows that she’s in the beginning stages of overcoming her trauma. I had to include that since I’m sure some Kana haters or Akasaka haters might say that this pivotal scene had no bearing on Kana’s development as a character at all, and they’d be wrong of course. Kana deciding not to rely on Aqua at this moment is most definitely a sign of growth from Kana as to recover from trauma a big step is to focus on self-validation rather than relying on external validation. It’s so important that Kana decided that she very much chose to become an idol for herself to stay in the industry since her acting career was going nowhere, not ’cause she was merely doing it as a favour to Aqua, who she saw as her knight in shining armour. She’s shown that her surviving for years in the industry without her mom wasn’t a fluke and that she can survive without Aqua either even if it’ll hurt her if he’s not around. I was so happy for Kana in that moment and do believe she’ll truly make it in the industry even if it’s not until long after the series ends.

Akasaka’s doing a great job writing such a realistic character in Kana, and it shows a deep understanding of people who have trauma for him to have chosen to write Kana this way with all of the highs and the lows, and it shows that he probably knows at least one person in the industry who has had issues such as Kana’s or has read a lot of credible works informed on trauma that he was able to include a character in his story that could conceivably have come straight from the real world, and the higher-ups at Doga Kobo obviously also see Kana’s character as a compelling one, which is why Doga Kobo nailed all of her scenes with all the care that’s put into adapting Kana’s content. I’ll say it if nobody else has: Episode 30 of Oshi no Ko was absolute cinema as the way it displayed Kana’s mental processes throughout the episode before having her defiantly scream that she’d be all right is just peak anime content. This is how you write someone who’s getting put through the wringer but still decides to push through anyway. Kana was very courageous in the face of adversity.

In defense of Akane in Oshi no Ko, who isn’t a perfect waifu, and why that’s a good thing

I’ve seen a lot of people call Akane a perfect waifu, and I don’t agree with this sentiment. A perfect waifu wouldn’t tell Aqua in Episode 29 that he needs to make his own decision on how he wants to live and that she’ll support whatever his decision is after he has made it. I get the sense that Akane has taken her psychological profiling that she uses to portray the characters she plays when acting too seriously and has read up too much on psychology to her detriment. Although that’s how she was able to step into Ai’s shoes so well for the Dating Reality Show arc and get Aqua curious about her, not everything can be understood just from reading about psychology.

While Akane is right that when one half of the couple leans too heavily upon the other to make decisions it can be a toxic dynamic/relationship, she clearly has no previous relationship experience before dating Aqua, and it shows. She should know that Aqua was doing better mentally when he wasn’t bothered with revenge, but she merely stated this season that she prefers that version of Aqua rather than fully realizing that Aqua was legitimately in a better headspace after giving up on revenge rather than it being a matter of opinion. She should’ve outright told him to continue letting go of what haunted him as it’s not wrong to encourage your partner to do what’s best for his mental health, and the one time Aqua needed Akane’s emotional support more than ever he didn’t get it.

Akane is clearly a kind girl who doesn’t mean any harm, but I see her naivety being horrible for Aqua. She has made it her goal to kill Hikaru in place of Aqua to keep him out of it, but she perhaps let out a freudian slip about that in Episode 29 when she mused about carrying his burdens with him, hinting to Aqua that she knew all along that his father still lived, and Aqua, with him being the intelligent guy he is, most likely caught onto the possible implications of that, making her attempt to safeguard him a failure, not to mention the potential damage to their relationship.

She just wants to be a supporting girlfriend, but she doesn’t know what’s the best approach of doing that. I’m thinking Akane may not have had a great childhood herself with something clearly missing as her idea of what a girlfriend/loving partner should do is somewhat amiss and moreso along the lines of what a teenage girl would read online about co-dependent relationships instead of following in the example of her parents. I’m glad that Akasaka had the courage to write Akane this way even if will be bad for Aqua’s mental health as he’s showing just what can go wrong as people struggle to grow into adults. She’s relentlessly trying to do what she believes is best for Aqua even if some of her beliefs are misguided, and she’s a well-written and flawed character, not a perfect waifu as some people claim her to be.

This will most likely put Aqua back on the path to revenge against Hikaru, and then they’ll go about it as a couple with Akane supporting him with all her heart. Unfortunately, I believe the direction Episodes 28 and 29 went in point to Oshi no Ko ending in a dark and bleak fashion. And while I can see why fans would be very upset with such an ending, if the first arc with Ai was a criticism of the industry and the last few arcs build up to a dreary ending, I can see Oshi no Ko being a story about the very significant mental health crisis in Japan and how underneath the entertaining aspects of the Japanese entertainment industry lies a message of a country deep in crisis with many of the people who engage with this industry, either directly as a part of it or as fans of it, having major issues.

Watching anime for perfect waifu is in my opinion not the ideal way to watch it. You may get solace from feeling close to such a character when watching anime primarily as an escape, but it will not motivate you to improve your life and meaningfully grow as a person or to diversify your perspectives on life and relationships. I hope anime-onlies such as myself can watch the entire series and not pre-judge the ending as terrible, instead focusing on what message Akasaka was trying to tell. There are big deep-seated issues in Japan that often show up in developed countries later, much like a rapidly aging population, a shrinking workforce, and reduced social interaction/withdrawal. The significant mental health crisis is probably a sleeper issue that will creep up on many countries.

Re:Zero Season 3 Preliminary Capella Character Analysis: Capella’s projecting when she calls others meat scraps

When Capella she stepped on Crusch, which prompted Subaru to tell Capella to get her leg off of her, to which Capella responded whether he’s infatuated with her beautiful legs or just Crusch, who she called female meat, saying she does have quite an erotic figure as she stepped on Crusch’s breasts. Subaru responded by saying Capella is not worthy of holding her Crusch under a foot and launches a piece of the building at Capella with his whip, which she easily started regenerating her wounds from. In the meantime, she sprouted a long tail and knocked Subaru to the side with it before asking if her beauty rendered him speechless. That was the second time Capella has tried to fish for a compliment, so this may point to an insecurity she may have.

She later hinted to Subaru what the passed out dragon and flies really were since he didn’t get it, and when he finally realized the reality of the situation, he questioned why she did that. She prodded him by asking if he found it disgusting, to which Subaru called it blood-curdling. Capella coolly says that it’s so disgusting and repulsive that it makes him hate her. She says seeing what he saw regarding the flies and the dragon made him hate her on a visceral level, and that’s the “right” answer. She said that no one could love creatures like those. Subaru then requests for her to kill him, to which she says she’d never do something so barbaric and throws out that she wants as many people as possible, for as long as possible, as deeply as possible to love her as being the reason she doesn’t kill him ’cause it’s her wish, which is quite odd given she’s been pushing him to hate her, so I take it that she does have an insecurity after all, probably about her own worth/beauty.

My takeaway from these incidents is that Capella very much wants to be loved and that she pushes others to hate her ’cause she fundamentally believes that no one can love her. Capella transformed other human beings into creatures she feels no one can possibly love ’cause that makes them more grotesque than she is, which is reinforced by her saying she wants as many people as possible, for as long as possible, as deeply as possible to love her, so not killing Subaru would mean the possibility is there for Subaru to love her physical form more than the flies as long as she drags the situation out.

Subaru then makes a move to save Crusch, and Capella said that Subaru always ends up drooling over that female meat ’cause he wants her so bad. Subaru notes that there’s already someone he likes, and Capella remarks that can he really swear he hasn’t had lewd thoughts about Crusch for even a second? She asked him if he didn’t think about stroking Crusch’s hair or kissing her supple lips. Capella then raged about how Subaru shouldn’t dare take his carnal desire for the one he fancies he can’t speak of in the open and call it love. She then proceeds to transform into Emilia although without the right outfit and without the hair clip, which shows one of Capella’s powers may be to able to read your psyche and be able to transform into an approximation of your ideal lover without knowing all the exact details. She then belittles Subaru by saying if Emilia were a fly, he wouldn’t still love her ’cause she believes love is not possible without physical attraction.

Wilhelm noted in Episode 54 that the Emerada Lugunica who existed over 50 years ago was beautiful and also ruthless, which matches the description of Capella, so Emerada Lugunica may have somehow been transformed if she had an identity before Capella currently with the dragon blood. But does Capella herself even think much of her beauty herself? Judging from that previous content of Capella, she doesn’t believe that having high sexual desire for someone is the same as having love for that person. When you couple that with her fishing for compliments, I believe Capella may have slept around a lot with tons of men, but none of them loved her or accepted her for who she is, which might be why she calls others meat scraps ’cause she personally feels that she herself is a piece of meat like in the manner she spoke degradingly about Crusch. Capella would call others meat scraps ’cause if everyone else is a meat scrap, then that elevates herself by bringing down everyone to her level. Thus, she still fishes for compliments and does all she does ’cause she still clings to the hope that somebody will love her even if nobody has in all her years of living. Maybe there even was once somebody she genuinely thought she could love, but because she rushed to intimacy, it didn’t work out, and that man treated her like a piece of meat like all the rest.